Latest Writing
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INTERVIEW WITH Sarah Audsley
Sarah Audsley is a Korean American poet from rural Vermont. A graduate of the MFA Program for Writers at Warren Wilson College, her debut book of poetry Landlock X (Texas Review Press, 2023) explores the intricacies of being an adoptee not only through the textures of language but also visual arts crafts, such as collage.…
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INTERVIEW WITH Amanda Murphy and Carrie Chappell
Winner of the 2022 Théophile Gautier Prize in Poetry from the French Academy, Sandra Moussempès’ collection Cassandre à bout portant (Flammarion, January 2021) explores the haunted aesthetics and violent dialects attributed to women’s lives. Raw and rigorous, the poems in this collection channel women’s voices as they disembody and re-embody in language, tapping poetry’s potential…
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INTERVIEW WITH MÓNICA GOMERY
Mónica Gomery is a rabbi and a poet based in Philadelphia. Chosen for the 2021 Prairie Schooner Raz-Shumaker Book Prize in Poetry… her second collection, Might Kindred … skillfully interrogates Goa, queer storytelling, ancestral influences, and more.
POETRY
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OCTOBER INTERVIEW with EDWARD SALEM
Edward Salem is a poet who hasn’t lost his sense of humor. “Palestinians,” he shares in our interview, “are insanely funny.” It’s this sense of humor that jumps off the page of Salem’s debut poetry collection, Monk Fruit, surprising readers, even as he’s tackling topics like the occupation of Palestine, American imperialism, torture, and genocide.…
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SEPTEMBER INTERVIEW with LIZA HUDOCK
Addiction, death, and loss are everywhere in Liza Hudock’s debut collection, Reveille (released by Flood Editions in August), but they are not its actual subject. Instead, the poems wrestle—as near as it can be stated—with the world the speaker inhabits. Whether she turns her attention to a moth, the comparison between a pumpkin and a…
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THE BABIES by Dara Yen Elerath
I am watching the babies. The gray one in sticky pants who keeps picking his nose. The pale one with headlice, scabies and fleas. I am watching the babies. This one choking on a plastic bottle. This one talking to itself in the dark. I am hauling the babies to the park, to the library,…
FICTION
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THE LUCKY ONES by Hananah Zaheer
Ever since Abba died, a girl has been living in my mouth. Mostly, she sits on my tongue and watches me do my homework or make houses with old cereal boxes. When Amma makes me write receipts for the laundry business she runs out of our living room, the girl helps me count. “I want…
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MONSIEUR REYNARD by Holly M. Wendt
Renaud com richchande thurgh a roghe greveAnd alle the rabel in a res, ryght at his heles.— “Sir Gawain and the Green Knight” by anonymous but what is the fox to think, duck-tumbling through green with all the dogs baying at his heels, of the scene unfolding across a hill inside stone walls much…
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ALL WE HAD TO DO WAS SWIM by Jon Bohr Heinen
I ducked down a side street when I saw the red and blue lights coming from the police cruisers blocking the Burnside Bridge. My big brother, Joel, trailed after me and asked, What’re you doing? I told him I’d never seen so many cops before; the only policeman I’d encountered was the one who visited…
TRANSLATION
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THREE POEMS by Nadja Küchenmeister trans. Aimee Chor
at the base no one quite knew how late it waswhen it was too late: i came backa breeze took my hand, the courtyard recognized me, as always, without wakingi picked out the old names on the name platesbein, puhahn, henke, brumm, i let them dry no clothespins on the clotheslinewhere there was a puddle,…
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INVITATION TO END by Faris Kuseyri trans. Patrick Sykes
A woman puts an orange in her husband’s pocketand her longing I saw they’re opening unmarked graves with warrantsand silence’s strength I saw truth bound, the papers lieand hate in the words I saw grace in the bazaar, conscience in exileand the feigned surprise I saw driven again to my pencil’s mercyand the invitation to…
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from YOU by Chantal Neveu trans. Erín Moure
first his breathing then his pupils I watch his mouth its furrows its swells slight circle of his irises the black hole a tube he sees me impulsion an implicit programmatics ascension the facades the borough remanence of Rio a yard a garden the staircase winding its gradations compelling the maples alongside the false acacias…
From the Archives
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