TWO POEMS by Jim Whiteside
Stocking the Pond
500 bluegill in a tank
on the back of a truck,
parked on the bank,
pouring them out. Fifth grade,
early spring. The year
I was taught there were right
and wrong ways to be
a man. I watched
the waterfalling bodies
of the fish, our pond
like a holding cell.
When the valve closed,
one got caught and cut
in half, the top fin and tail
just sat there in the grass,
separated from the head
still floating in the tank.
We caught them
all summer, kept them
on a line strung through
the gills. I hooked one
through the eye, snagged it
through that soft
and lidless spot, and the barb
came out through the front
of its face. I cried while
my father removed it.
I watched while he filleted
our catch, when he nailed
a catfish to a board
and skinned it with pliers.
What else can I say
about my cicada-sung
childhood, when I learned to do
things I didn’t want to—
years later when I danced
with a girl at prom,
when I did not kiss
the boy I drove home
from school, when he
offered. But when
I was nine my trembling
hands were asked to hold
the handle of a thin blade
and cut. So I did—
and for what? A quarter-inch
thick fillet, small victory.
We ate the fish
with our hands, battered
and fried on a camp stove.
When we stocked the pond,
a mist came off
the cascade of water
and fish, the surface
of the pond was iridescent
with some runoff
or exhaust—all so I could sit
in a camp chair,
months later, picking
little bones from my teeth.
Parable
And suddenly the ground opened
so I could fall in. The hard clay
opening its arms to feel like safety,
holding my body like a bulb,
mother’s irises in the garden. The air thick
with cicada calls, the air hanging
on skin. She’s at the window calling out
the varieties of corn in the field like
calling in children for dinner.
But I am her only, her runaway.
At the table she reminds me
my blood runs red because it’s full
of iron, red like the banks of the creekbed
I fell down as a child, flat on my back,
eyes and palms to the sky, gasping.
My body remembers
that labored breath, these old pollens.
In the cabinet I find a cream
to prevent scars from new wounds,
another to reduce scars already set in.
But as a child I had no scars,
only musical names in my head before sleep,
saying them aloud under the spinning fan,
Ambrosia, True Platinum, Silver Queen.