Every minute or so, a hallelujah
dies in someone’s mouth. Every minute or so, a gunshot.
A ceasefire. A tire shreds
on the highway, & pieces flit like sparrows
across the sky. Silly me. I thought
we were here to live.
The garden’s hallelujahs: tulips & rhododendrons, alive
in the ground. We expect so much
of life. Once, I was a child. Then, a child
was locked inside me. Now, a different
country claims us. Tie my hands
to the wind. Strip my mouth of any country
that doesn’t fit. Sorrow the sparrow’s
steel cord & textile torso. Its irrational wings.
The problem with flying is most people
settle for land, no matter how often
we are unloved by land.
Rewind the centuries:
before planes, the accidents of a gun,
or mouth, or gentle morning, how many people
believed they could fly? Breaking gravity,
what names did they cry when they took that first step
away? Listen to me. I’m telling you
what only the wind knows—
here, the sparrows were, all along. Nailed
to their species. Alive, or not
alive. Sometimes, not alive at all.
The night I try to kill myself a boy
is shot in the shoulders at the gas
station next to my apartment.
I don’t flinch. I lie
on the rubber of my bed that keeps
the bugs away and stare at the black
poles holding the bunk bed together.
The mice play sought and found
in the shoe closet filled with all size 10’s.
What miracle can I conjure tonight?
I sleep till dawn and the spirit that wants me gone
slaps my eyes to rise: Through the kitchen window,
the dark clouds are yoked with life.
I know the sharp knives in my home
but draw the thin butter knife because
I don’t want a mess for my mother to clean,
I don’t want her to weep as she dips
a rag in Clorox and stains the floor to reverse
its memory. My burial must be neat.
I trace the peak of the blade across the linea
negra on my stomach; the one to appear
only when I am pregnant. I am yet to meet
a man: how do I leave this earth with ease?
ODE ON MY UPSPEAK
“A lot of these really flamboyant things you hear are cute, and girls are supposed to be cute, but they’re not just using them because they’re girls. They’re using them to achieve some kind of interactional and stylistic end.” – Penny Eckert, New York Times
I admire its belligerent uncertainty, like:
I’ll know if I know when I please. Pointed
indecision as auto-prick that sticks my sentence-tip.
When my tongue spring-toes into a run, I vault
across silences sucking this tick like perpetual mint—
surprised but satisfied. I want all my action
rising, okay? While we’re at it, I dig my umms,
impervious little monks who squat
in well-spaced rows, their insistent vibrato
a hypno-chant that spins my speech to incantation.
I love how they punctuate, bead-like,
my vocal fry, that holey string to which I cling.
Its creak makes me speak like a crumb-scraper
savoring the linen tablecloth. I lick
the conversation down and shake
each glottal rattle at the sky, my diphthong
kernels popping in a thrum that sets me singing
like an optimist—I’ve got nowhere to go but up
to the roof of a high rising terminal.
Oh my voice, you are a wing tethered to a gender
like a brick—or a period—and you jump regardless.
I Want to Walk to McDonald’s Forever, Friend
I want to wade there with you on a snow day,
wheeze-winded & teary. I want to smash the ice
in your lashes, then let the oily steam breathe us
back to running blood. Or I want to walk there
in crop tops we’ll swap in the lime fluorescent
of the slime-tiled john so we can walk home as one
another. I want to wooze in your menthol-cherry
aura as we find every flickering arch in the city.
Delicate licker of grease-dipped French tips,
send me a Rite-Aid valentine that says be my bitch
& I’ll be yours. No take-backs, no joke, no jinx
when I answered that trick crush question with you,
you who then flipped & tramped the whole year solo.
But I swear on my mamaw’s spine we can walk
it all back with Big Macs & a thousand half-hug pats.
Please let’s just meet on the mouth of straw,
suck it up, crush only our cups, & let the year drip down
the sewer slats as we walk back & back & back.