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FOUR WAY REVIEW

THE GATEWAY by Laura Wolf Benziker

Thursday, 14 August 2025 by Laura Wolf Benziker

Mina, in the passenger seat, was lulled by the vibration of the car. Her skull knocked against the tempered glass in a not-unpleasant way. Her eyelids sank and darkened, then flicked open every few minutes. She saw exotic colors: swaths of glowing terra cotta, deep violet shadows, a sky so blue she only half recognized it. Then she dropped drop back into hypnagogia. 

“Mina,” came Wayne’s voice. “Miiiina…” Wiggling fingers crept up the side of her neck. She flinched and opened her eyes. She turned to look in the back seat: both kids had fallen asleep. Their heads lolled at painful-looking angles.

“Why’d you wake me?” she said, with mock anguish.

“I lost the signal. You need to navigate. Plus, just look at this place!” Her husband swept a hand as though presenting the canyon to her. “I dub you Mina, Queen of the Carpathians!”

Mina smiled and took the paper map of the Utah park out of the side pocket of the rental car. Impossibly grand vistas gave way, one to another, as they rounded bends in the road. It felt like they were on a giant’s stage, weaving their way between set pieces. The looming rocks seemed to have personalities; they were definitely not inert. Mina could feel them looking at her.

The family had flown in on a red-eye from Boston. It was only a couple hours’ drive from the artifice of Las Vegas to this otherworldly place. Mina had planned the trip meticulously. A seven-day tour of the Southwest. She had booked stays in Zenith, Hale, Monolith Valley, Mesa Azul, and Archway. They would explore the majesty of nature together.

They pulled up to the park entrance. The kiosks were unmanned this time of year. Wayne drove under the low roof of the mid-century modern structure, and the park was theirs. Mina placed her finger on the map at the spot where they were. She picked the first green star along the route that indicated a trail and directed her driver to it.

Wayne swerved to the side of the mountain road and parked in a narrow gravel crescent that hugged the cliff edge much too intimately. They woke the kids and they all got out, groggy for their first hike. They were met with a burst of chilly air that brought the sweet smell of desert. Wayne and their teenage son, Liam, loped across the road. Mina clutched five-year-old Jamie’s hand, looked both ways, then followed. A rock wall faced her, and she looked up. She had to lean back to see the top of it, and she was hit by a wave of vertigo. She steadied herself with a hand against the rock and waited for her heartbeat to slow. A car zoomed by. She hurried Jamie to the trail, which was nearly vertical. The four of them went up sandstone steps, squeezing and releasing the steel handrails. The rails had thick dark rust all around, except for the top, which was worn smooth as a horse’s back, bright and silvery. The trail snaked up the bluff, which was dotted with a few tenacious juniper bushes. Mina was last in line, a human buffer between her child and certain death. She took a quick look behind her, at the earth dropped away, then clutched the railing, dizzy.

They reached a plateau and the handrails ended. Mina stopped to take a puff from her inhaler. Liam looked back at her.

“You good, Mama?

“Yes,” she said between labored breaths. “It’s the elevation.”

The trail continued along the side of a cliff with nothing to prevent a hiker from tumbling to their doom. Liam and Wayne went along without a care. They were both tall and lanky and had matching gaits. Wayne’s hair was graying; his curls spiraled wilder every year. Liam’s smooth skin stretched over his rapidly changing bone structure, perfect but for a spray of acne. He possessed the calmest nature of the four of them, a levelness, even at the top of a cliff. Jamie frisked and flailed, oblivious to the danger. When he started to follow his dad and brother, Mina called out, “Nope. Absolutely not.” She took him firmly by the hand. She yelled to Wayne, “You go ahead. We’ll hang out around here.”

“Come on,” he said. “It’s just a trail.” She shook her head. “Suit yourself,” said Wayne.

Mina steered Jamie back the way they had come. At the top of the stairs, they came upon a smooth patch of red sand. Jamie picked up a stick from the brush on the side of the trail.

“This is my drawing stick,” he said, looking up at her from under his own mop of curls. He squatted down and drew in the sand, a shaggy creature with fangs. “It costs a dollar to draw.”

She pressed an invisible coin into his palm. He handed her the stick, expectant, but she was too tired to make the effort.

“You draw one for me. I already paid.”

Jamie agreed. “Mama, I have a quiz for you. Which is the strongest, Dracula or the Wolf Man?”

“The Wolf Man,” said Mina.

“No, the answer is Dracula. Because he can fly.” Jamie drew a figure swooping down at the shaggy creature. “It’s Dracula versus the Wolf Man! Dracula attacks with Bloody Fingers and Wolf Man counters with Howling Wail, Oooooh ooooh!  Dracula’s defense is lowered! He attacks with Frozen Fangs! Grrrrrrrrr. Wolf Man is now stunned!” Jamie stood frozen with a grimace on his face, then continued drawing. “Dracula attacks with Coffin Creep, but it’s not powerful enough. Wolf Man attacks with Claw Shot. Pew Pew Pew! But he forgot that that move does 50 percent damage in recoil! They’re both destroyed!” He brushed the images violently from the red sand.

“But I thought that Dracula was the strongest?” said Mina. 

“Yep,” said Jamie.

They stood and listened to the wind wailing in the canyon.

“Can I play video games now?” said Jamie.

Mina looked back at the trail Wayne and Liam had disappeared into. It will probably be a while, she told herself, before they are back.

They made their way down the steps, Mina in front this time. The cars on the road below looked like toys, the roar of their engines muted. Partway down, Mina stopped. On the mountain face opposite them stood a deer. It was miraculously stable on the sheer slope, and from the angle where they stood it appeared to be floating.

“Look at the deer, Jamie!” Mina whispered. It seemed to be watching them. Jamie gaped at it.

“It’s an augur,” he said.

“What?” she said.

“It’s a kind of deer.”

“Okay. Let’s go down. Hold the railing tightly.”

*

Back at the parking area, they opened the glistening white doors of their rental car and climbed in. Mina tilted her seat back and gazed out the sunroof at the clouds going by. She dug a novel out of her carry-on. Jamie sat hunched in the passenger seat, playing his handheld video game. There was still no sign of Wayne and Liam.

Mina read two chapters, then got the feeling she’d forgotten something. She put the book away, and checked her bag for medicines, phone charger, first aid kit, inhaler, lip balm. It was all there. Jamie switched out his game cartridge for a different one. 

Mina took off her bracelet and fidgeted with it. She slid the silver beads between her fingers in a rhythm that matched her breath. When she was very young and would go on long rides in her family’s Volkswagen bus, she had a favorite puzzle she played with. It was composed of sixteen sliding plastic tiles, pink and white, in a yellow frame. If you aligned them right you were rewarded with a picture of Bugs Bunny leaning nonchalantly on the shoulder of a cranky Daffy Duck. The tiles slid smoothly, with a satisfying amount of resistance, making a delicious SSHHH sound. She played with it for so many hours the bright pink color had worn off to white in places under her small thumbs. She always wanted so badly to match the tiles in the right order, to make a complete picture out of chaos. The only problem was, for the tiles to be able to slide, there had to be one missing. 

Mina looked at her watch and was disoriented. Then she remembered the time zone change and set the hands back two hours. Too much time had passed. Something must have happened.

You’re imagining things, she thought. Don’t think about it.

She leaned back again and looked out the windows. The clouds settled across the sky in layers, straight and flat as the layers of rock in the bluffs around them. She composed a text to her husband, but it failed to send.

Another half-hour passed, and she invited Jamie to clamber into her lap. She interlocked her knuckles across his little belly as he battled the villains of the universe. His curly head leaned against her breastbone, behind which her heart beat frantically.

The sun was getting low in the sky when the back door opened and Liam flopped into the car. Mina gasped, then felt a wash of relief. Jamie climbed back into his booster seat. The passenger door opened and Wayne swiveled to fit his long legs in.

“You were gone quite a while,” Mina said. She was embarrassed to hear the quaver in her voice. “How was the hike?”

“The hike,” said Wayne. “Wow, yeah. It was really something.” He stared out the window.  Reddish dust had settled on his cheekbones and eyebrows. And there was something strange about his face.

Mina looked back at Liam, “What did you see?” She tried to look him in the eye, but he wouldn’t meet her gaze. 

“We saw mountains,” he said.

“And?”

“Um, there were some deer on the side of a cliff.”

“We saw a deer too!” said Jamie.  “It was an augur!”

Mina started the car, turned on the headlights, and had no choice but to keep going in the direction they were pointed. Into the dark passageways between mountains. Eventually she found a pull-off area large enough for her to turn the car around.

They exited the park and took the road to the village under a sweeping arch of sunset. They rounded a bend and saw the sign for their motel, The Desert Rose. Its low angled black roofs seemed to hover in midair. It was a moment before the buildings themselves came into focus. It was a trompe-l’oeil. The walls were stuccoed in sand and rust colors, tinted in layers to mimic the grand landscape in which the motel nested.

*

The kids entertained themselves, opening and closing the sliding glass patio door of the motel room to block each other’s entry, then racing around the building on the moat of pristine white gravel to do it again. After a few minutes Jamie slammed Liam’s hand in the door. Liam howled and swore, and Mina half-heartedly reprimanded Jamie. She was relieved it hadn’t been the other way around. They ate dinner in the motel restaurant, where they were the only customers. By then they were beyond exhausted, so they got into their pajamas as soon as they returned to the room. As they settled in for the night, Mina went over their schedule for the next day. 

“We can hike for a few hours in the morning and have lunch. We should leave for Hale by two so we can drive in daylight.”

“I like it here,” said Wayne. “See if we can get this room for an extra night.”

Mina looked at him. “Okay,” she said, “If you really want to. But it’s too late to cancel the room at Hale.”

“Have them push it back a day. It’s the off season. I’m sure it won’t be a problem.”

Mina frowned, but she made the calls. You had to pick your battles.

They took turns brushing their teeth. Three of them sprawled on the king bed, with Jamie curled up on Wayne’s lap. Liam sat in a chair in the corner, a remote look on his face.

“Let me tell you a tale,” said Wayne in a theatrical voice:

                                                  Twas brillig and the slithy toves

                                                  Did gyre and gimble in the wabe.

                                                  All mimsy were the borogoves,

                                                  And the mome raths outgrabe.

“What the heck are you talking about?” said Jamie.

“You remember this one, right Liam?” said Wayne, raising and lowering his eyebrows maniacally.

“Yeah, I do,” said Liam quietly. 

                                                  Beware the Jabberwock my son!

                                                  The jaws that bite, the claws that catch!

Wayne grabbed Jamie by the shoulders and tickled him fiercely. Jamie shrieked and kicked with delight. Mina looked over at Liam, who was softly reciting the rest of the verse:

                                                  Beware the Jubjub bird, and shun the frumious
                                                  Bandersnatch.

*

After breakfast they began a hike, a leisurely stroll along a gorgeous sparkling stream. Jamie found some cholla cactus skeletons, called them magic wands and gave one to Liam. They wizard-battled as they bounded down the trail. Mina beamed, watching them interact. With the ten-year age gap and the difference in schedules, the two of them were usually like ships in the night.

The trail ended at a waterfall. It cascaded in a silver fringe right over the trail, which was kept dry by a rocky overhang. Moss and wild succulents hung down in tendrils. It was a miniature fairy-land in a secret nook of the desert. Mina found a dry rock several yards away, sat down and took granola bars out of her backpack. She watched the kids goofing under the waterfall and snapped some photos. They splashed each other viciously, squinting and laughing. Liam leaned out over the railing and doused his head.

“Snack?” said Mina, and held out a granola bar to Wayne. He sat next to her, looking in the opposite direction, where the mountains loomed.

“Not hungry, thanks,” he said. He drummed his fingers on his knees. His eyes darted across the landscape. His eyes looked gold. They had always been brown. Hadn’t they? Mina wondered. Do people’s eyes change color over time? Maybe Wayne’s had changed years ago and she had never noticed.

“I think I’m going to head to another trail,” he said. Mina felt the joy drain from her.

 “But it’s so nice spending time as a family.”

“There’s plenty of time for that,” he said. “I want to challenge myself, do some serious hiking.”

“We can all go together. You can choose the trail.”

“I don’t think you’re up for it. No offense, but you would slow me down.”

Mina opened her mouth to respond, but her mind had gone blank. Wayne trotted off the way they had come, out of sight in just moments. He didn’t even say goodbye to the kids.

This is just like last June, she thought. She tried not to remember.

Mina took her time regaining her composure. The kids were having so much fun they hadn’t noticed.

After a while the three of them headed back along the trail. The kids kept goofing off. Liam swung Jamie up over his shoulder, then pretended to throw him in the stream. Jamie screeched and Liam set him back down. Then Jamie stood stock still.

“Where’s Dada?” he said.

“Well,” said Mina, “he wanted to do a hike by himself.”

“Oh, okay!” said Jamie. Liam looked up at the tall mountains.

*

Back at the parking lot, they got in the car and Mina drove aimlessly. When they passed a field of deer, she slowed down to get a better look. Their ears were huge and alert, their noses dark. They had white bands of fur around their necks, which gave the impression that their heads were somehow detached from their bodies. Some of them loped, anxious about an unknown threat. Others stood still as statues, and watched them as they drove past, their heads turning in unison.

The road narrowed as it gained elevation, and Mina felt more and more ill at ease. Her chest tightened and her breathing strained. Every time they went around a bend, she imagined the road disappearing and their car pitching into nothingness. She searched for a place to take a break. She found a scenic pull-off and parked. The kids scrambled from the car, and Mina dug in her bag for her inhaler. Her nervous system calmed as her lungs absorbed the vapor. Her breath slowed, and in a couple of minutes she felt better. She walked to the edge of the parking lot and looked out at a huge flat sandstone plain. It turned out to be a perfect spot, with relatively little danger of plunging to one’s death.

The kids played a sloppy game of chase. They grabbed and yanked on each other’s sweatshirts. Liam swung Jamie around by the wrists, and even though it didn’t look safe, Mina let it go. She walked across the sandstone in a meditative state. The wind kicked up red dust in delicate eddies. Some of the fine powder settled into the gaps between her white shoelaces. It would stay there for months. Mina tugged her cardigan tighter around herself and took in the whole horizon. The jagged surfaces of the mountains stood out in sharp focus, astonishingly clear for such a far distance. It really was a stunning place.

The kids discovered the rocks were so soft that they could hurl them against the ground and watch them explode in a burst of sand. Liam, with his lithe, chiseled shoulders, was especially good at this. He flung them, he smashed them, he hucked them with a feral look in his eyes. After a couple minutes of that she told them to stop. She was sure it wasn’t good for the mountain. She walked to a sandstone wall whose surface appeared to be moving. She went closer and realized that grains of sand were spilling down the side in a slow and constant cascade, with no apparent catalyst. She held out her hand, palm up, as if she were coaxing a baby bird. The fine grains formed a pile in her hand and then spilled between her fingers. It crumbles if you fight it, she thought. It crumbles if you do nothing.

The kids were hungry again, so Mina drove them to the visitor’s center. Liam and Jamie scarfed veggie burgers with soggy pickles on the side. Mina got herself a yogurt parfait, but when she took off the plastic lid, she realized she couldn’t eat. 

“Mama, I have a quiz for you,” said Jamie. “Who’s my favorite person in the world?”

“Umm…Liam!” she said.

“Nope!” said Jamie. Liam leaned toward him in mock indignation. They were all used to this.

“It’s Dada!” said Jamie. Liam’s face clouded into a scowl.

Mina felt her heart clench.

“Liam,” she said, “Is everything okay?”

“It’s like we don’t exist,” he said. “Like this whole trip is just for him.”

She had tried calling Wayne. She had tried texting him. What was she supposed to do? 

The visitor’s center was closing, so she told the boys to put their trays away.

They piled wordlessly into the car and headed back in the direction of the motel. When they were almost there, Mina’s phone buzzed.

They backtracked and picked up Wayne on the side of the road. Jamie happily recounted the events of the day to his father. Mina was fuming. She thought about what she would say to him. But there was nowhere private where she would be able to talk to her husband. She didn’t want to upset the children.

As they were getting ready for bed, Wayne said, “Let’s stay another night. I like it here.”

Mina looked at him, weighing her words.

“We have to keep moving,” she said. “Don’t you want to see all the beautiful places we planned to see?”

“We can skip them,” he said. “This place is special.”

Wayne loomed over her, and behind him on the wall his colossal shadow quivered. Mina was a small person, smaller than their fifteen-year-old son. Wayne was six-foot-three, wiry but strong like a coiled spring. He weighed almost double what she did. This had never seemed like a major concern, but all of a sudden, she was afraid.

She canceled the room in Monolith Valley, forfeiting the deposit, and pushed back the room at Hale one more day.

In the middle of the night Mina moved up against Wayne’s back and put her arm across his ribcage. He did not wake. She felt a subtle vibration from his body. Maybe it was the half-dream state that she was in, but Mina felt like her husband had shed his gravity. Like if she took her arm away, he would hover above the bed.

*

The next morning when Mina woke, Wayne was already dressed.

“I’m getting an early start hiking today,” he said.

“What?” said Mina. “What about us?”

“You can do your own thing. You’ll have fun.”

“We want to spend time with you. The whole family, together. Wayne, I’m trying to fix things!” A series of images appeared unbidden in her mind: she and Wayne as a young couple, playing Scrabble and laughing with a group of friends in their shabby apartment; Wayne sleeping on the couch with baby Liam on his chest, his large hand resting gently on the baby’s red onesie-clad back; herself in heels and a cocktail dress, standing at the top of the basement stairs, speechless, looking down at Wayne in his bathrobe, grin on his face, whiskey glass in hand; a shiny rental car not unlike the one they had now, Wayne in the driver’s seat, pealing around a corner and grazing the guardrail as she stood clutching the kids on the side of the road, dizzy from the heights under the June sun.

“There’s nothing to fix,” he said. “Everything’s fine.” He grinned at her with his gold eyes. 

Mina sighed. “Well, we have to at least set up a meeting plan.”

“Visitor center at four,” he said.

Mina nodded, and Wayne was out the door.

Mina scoped out another hike. The kids didn’t have the same vigor as the day before. Liam’s shoulders hunched forward and he looked at the ground. They stopped at a river, where the kids halfheartedly threw pebbles.

Feeling like she owed them a new experience, Mina took them to the visitor’s center gift shop. The objects for sale were so appealing with their saturated illustrations and sleek graphic design. Mina let them each pick out a fridge magnet, little portraits of the majestic canyon they were trapped in. Jamie couldn’t decide, so she let him pick two. Months later, procrastinating dinner, Mina would stand and slide the magnets around on the refrigerator. She would slide them apart and back together, switching up their order. Their earthy pull would bring her back down to the ground, and she would feel a heaviness in her chest. She would slide and slide them and wonder what went wrong.

They stayed until the gift shop closed at five, and Wayne never showed. They drove back to the motel in silence. 

Wayne called while they were finishing up dinner. They piled back in the car and found him waiting at the visitor’s center, standing in the shadows. Mina quivered with rage.

Mina said quietly, “We’re leaving at nine tomorrow.”

“Mmm,” said Wayne.

That night, Mina’s sleep was strained and sweaty. The covers felt like wet bandages, and the room smelled of vinegar. She wavered in and out of consciousness, waking sometimes to the white noise of her family breathing. Once or twice, she heard muffled yelling from the bathroom. Wayne was next to her, sleeping right through it. Liam’s voice was deep, and his rage was raw.

*

Mina woke when it was still dark. She had a sense that she had to go outside right that second. She slipped silently behind the heavy curtain and slid open the glass patio door.

The gravel was cold and sharp under her bare feet. She felt ill in her stomach. It was like how she would feel when, as a teenager, she would make herself eat an apple at 4:30 a.m. before early swim practice. She looked up at the dark, sequined sky. Along the ridge of the mountain glowed a crackle of ruby that grew as she watched, and melted into sugared tangerine, and then gold, which dissipated into the soft beige of dawn. It happened in a matter of seconds. And she knew.

She packed her own bag, then Jamie’s bag. She gently woke Liam. There was an artificial glow from the corner of the room where Jamie was already up and hunched over his video game. The three of them got dressed quietly so as not to wake Wayne, and went up to the lodge for breakfast. The kids wolfed down their plates, and went back for seconds. Mina sat and gripped her coffee mug. She breathed in the steam and hoped the porcelain would warm her hands. She tipped in a container of cream and watched it swirl before it dissolved. Looking at her kids, she had never felt so lonely.

When they got back to the room, Wayne was brushing his teeth. He wore a white motel bathrobe over his underwear.

“We need to go now,” Mina said. “It’s a four-hour drive to Hale.”

He gargled and rinsed his mouth. “I think we’ll stay here a few more days.”

He turned his head but did not make eye contact. He doesn’t see me, thought Mina. He will never see me again.

She hustled Jamie across the cold parking lot and got him into his booster seat. She opened the trunk for Liam to load a suitcase. He stopped and looked at her with what she recognized as fear. “Why isn’t Dada coming?” he said.

Mina’s chest tightened. “I don’t know,” she said. 

Liam’s eyes went wide. He spoke softly, “It’s the cave, isn’t it?”

“What cave?”

“He told me not to tell you.”

“I won’t tell him you told me. Of course I won’t,” she said.

Liam grimaced, bent his head forward and grabbed fistfulls of his hair. He walked a few steps away, then turned and came back. Regained his posture and took a breath.

“Okay,” he said. “We hiked for a while after we left you, and we got to the top of the mesa. I was looking out at the view, enjoying it. Then Dada called me over.”

Mina’s heart pounded. “We have to load up the car,” she said. “Keep talking.” They crossed the parking lot together. The sun had risen higher since breakfast, and threw dramatic purple shadows on the mountains.

“I followed his voice. I went around this pile of boulders, and Dada was on his hands and knees in front of this hole in the rock. He said we should check it out, and he crawled in.” Mina held her breath as she opened the door open for Liam, and they walked through the maze of motel corridors. The tessellated pattern on the carpet gave Mina a wave of nausea. She caught Liam’s arm and clung to it.

“He called me from in there. I said I didn’t want to go in, I have claustrophobia. I thought he would come out in a minute, because how big could the cave possibly be?”

“Hold on,” Mina whispered, bringing a finger to her lips as she opened the door of their room. They gathered up the dregs of their belongings. The door to the bathroom was closed. They stepped back into the hallway and the door clicked shut behind them.

“I couldn’t tell how long it had been,” Liam said, “but it felt like forever. I was getting scared. But I was not going in there. That place had really bad vibes. So I yelled into the cave. I kept yelling and yelling, and finally he came back. When he came out, he had this weird look on his face. But he was smiling, with his teeth all showing. It was so weird. So weird. Then he looked right at me and said, ‘It’s the Gateway.’”

Mina couldn’t speak.

 “He just stood there in front of the cave. If I hadn’t been there, I don’t know if he would have left. I told him we had to get back to you and Jamie. He said something I couldn’t understand; he started mumbling. But then he snapped out of it. We hiked back. When we were almost at the car, he told me not to say anything to you about it.”

“Oh, no,” said Mina.

“I think he’s been going back there,” said Liam. 

A chill shook Mina’s body. “Thank you for telling me,” she said, and hugged him tight. 

She closed the trunk. Liam got into the back next to Jamie, leaving the passenger seat vacant for his dad. Vibrating with fear, Mina walked back across the parking lot, through the maze of hallways, and checked the room one last time. The bathroom door was open, and the room was empty. She walked back to the car in a daze. She got in and turned on the engine.

“Where’s Dada?” said Jamie.

Mina closed her eyes and spoke carefully, “Dada decided he’s going to meet us in Colorado, honey.” 

She took a moment to breathe; to force her sadness into a nook in the back of her mind. She laid out the map on the seat next to her. She made sure her phone and sunglasses were handy. She checked that the kids were buckled, and she looked out the window at the motel. Her eyes widened at what she saw. There was a figure in a white robe standing on the dark, low-angled roof. He stood, with his arms outstretched, looking up at the mountains.

Mina put the car in gear and drove out of the parking lot. Slowly, deliberately, like a puzzle piece sliding into place. She couldn’t help looking in the rear-view mirror. In the reflection she saw her husband, face tipped back, rising off the roof of the motel, into the vault of the sky.

Fiction
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  • Published in Featured Fiction, Fiction, Issue 33
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RUN by Katherine Vondy

Thursday, 14 August 2025 by Katherine Vondy

There is a room at the end of my hallway. Its door is always shut. Shut, but not locked. Inside the room there is a girl. Fifteen, dirty-blond hair, thin. Most of the time she lies on the bed, headphones on, listening to something with lyrics, mouthing vaguely along. She holds a pen against the pages of a spiral-bound notebook, college-ruled, though its light blue lines are irrelevant as the girl uses the paper for drawing, not writing. What does she draw? It’s hard to see from the doorway. She never leaves the room. 

*

My apartment in the city is not large but it is lovely and was well worth the down payment. Its hardwood floors are pristine, and the molding around the doorways is elaborate yet tasteful. It is a relic of an earlier, better time, though maintaining the illusion of a bygone age has not come cheaply. I’ve made significant adjustments to the apartment’s design and floorplan in order to make it functional in today’s world while still retaining its original Greek Revival charm. The heavy cornices and double-hung windows are a perpetual reminder that the present cannot help but be rooted in the distant past.

This aesthetic is one that my clients frequently aspire to, but few of them have the funds to realize it. They find themselves settling for the clean, relentlessly-modern look: a look that is less beautiful, but more affordable. As a result, many of my projects have a sameness to them. In early adulthood I’d imagined that becoming an architect would offer more opportunity for variation; however, many of the beliefs we have when we are young prove to be misguided. 

But understanding the misconceptions of youth is one of the benefits of getting older. It’s an unexpected satisfaction—like the sense of self-worth I earn from my professional successes, or the feeling of peace that comes over me when I run. I run in the park early in the morning, often before day has even broken. The park is at its quietest then: I rarely see another runner, let alone another woman. It’s a habit I’ve maintained for years, barring the occasional break for illness or travel. While there are slight differences each day that I run—chilly one morning, prematurely stifling another; tree branches bare and sparkling with ice in the winter, the summer turning them matte and green—my jogs usually coalesce into one amorphous entity of recollection, like water molecules gathering in the upper atmosphere to form a cloud. 

*

I’m running down a gentle, muddy hill, not far from the botanical garden, enjoying the way gravity makes speed effortless, when another, slower runner fails to move sufficiently to the side of the path. Her left shoulder collides with mine as I pass her, and at the same time her feet skid on the slippery, wet dirt. There’s an oh!, then a thud, and then a more strained vocalization. Glancing back, I see the other runner on the ground. 

I bring myself to a halt and turn around, retreating to the place where she has fallen. 

She’s about my age, and she isn’t crying, not with any gusto, at least, but a few tears fall down her face, presumably from pain. She hunches over, holding her right ankle in both hands, as if she wants to make sure it does not escape her.

“Are you okay?” I ask, a question with an answer so obvious it shouldn’t need to be asked, but in this sort of situation it must be posed nonetheless. 

“I’m okay, but I don’t think my ankle is,” she says. 

“Is it broken?” 

“I don’t know. No, I don’t think so. But how would I be able to tell?”

“You probably need an X-ray,” I say. 

“Yeah,” she agrees, wincing.

“Can you walk?” 

She shakes her head. “It hurts. It really hurts.” 

“Do you have a phone, so we can call for help?” 

She shakes her head again. “I don’t bring it when I run. I don’t want the distraction.” 

“Oh,” I say, my voice judgmental, even though I don’t bring my phone when I run either, for the exact same reason. 

I look around. It is one of those typical early mornings in which there are no other runners in the vicinity. In fact, there are no people at all. There’s a narrow pink line on the horizon from the sun waiting below it, but otherwise the sky is dark. 

“Here’s what we’ll do,” I say. “There’s a coffee shop outside the park, about half a mile from here. It opens at 6:00 a.m., and it has to be near that now. They must have a phone. Or someone who works there must have a phone. I’ll run there and call 911. Someone will come here to help you soon.” 

For the first time since I saw her fall, the woman looks frightened. 

“You’re going to leave?” she asks. 

“Just to get help,” I reassure her. “It won’t take long.” 

“No, please don’t! Can you just stay with me? Someone else will show up soon. Another runner. Someone who has a phone.” But as she speaks, a few more droplets appear on her face. Not tears; rain. 

“Look, the weather’s getting bad,” I say, pointing upwards. “People are going to stay indoors. Who knows how long it will be until someone else appears? And I don’t think it’s good for you to sit in the rain while you’re injured. I can get to the coffee shop in five minutes. It’s the fastest way to get you help.” 

The woman tries to stop me. “No, no,” she pleads. “I don’t want to be left here alone.”

But I’ve already started to jog away. “I promise I’ll come back. As soon as I’ve called, I’ll come back.” 

*

I don’t come back. 

I do run to the coffee shop, just as I said I would. It is 6:02 a.m. when I arrive, and the barista nods understandingly and points me towards the office in the back. I call 911 and describe the emergency to the operator. 

“A woman is injured on the jogging path,” I say. “She fell and did something to her ankle. She can’t walk, and she’s alone.” I describe her exact location, in the downhill part of the trail, just past the entrance to the botanic garden. I offer descriptive information, even though the fact that the woman is sitting injured on the ground should be enough for the EMTs to identify her. Early 40s. Curly brown hair in a ponytail. A blue and purple windbreaker. No phone. I do not mention our collision. I do not say I promised to return. 

The operator tells me she’s dispatching a team immediately. 

“Thanks,” I say. 

And then I go home. 

*

I walk to the end of the hallway and rest my hand on the doorknob of the closed door. When I twist my hand, the knob turns smoothly. I push the door open.

The girl inside looks up from her notebook. She doesn’t recognize me. 

“What?” she says. Her voice hovers between bored and annoyed.

“Nothing,” I say.

She stares at me and I stare back. She isn’t alarmed by the situation. It’s as if she expected it all along: to be in this room, drawing, indefinitely.

I slowly shut the door. I assume she turns her attention back to her pen and her paper when I am out of sight. 

*

I work on the twenty-fourth floor of a twenty-five-floor building downtown. I step into the elevator and rise up with other professionals in well-tailored clothes. Some are my colleagues; others are attorneys, accountants, actuaries. High-rises like mine are notable for the diversity of industries that can be found within.

 My office is small but has one well-placed window, next to my desk and parallel to my right shoulder, which allows me to sense the outside world without needing to look directly at it. I slide my mouse back and forth on its mousepad to awaken my computer. The monitor flickers to life and I sit down in my ergonomic chair to embark upon the day’s tasks. Architecture is not traditionally recognized as a hard science, but it undoubtedly requires a scientific mind. My job requires diligence, attention, and an organized method. There are emails to write, blueprints to lay out, presentations to outline and then draft and then re-draft. It necessitates complete focus, a kind of concentration that disallows any interruption, no matter how minor. I excel at this kind of thought. I am well-versed in building walls of all kinds.

There is much to do—there always is—but today I’m on an especially tight deadline, as we are courting a big client, a successful advertising agency looking for a new space for their expanding team. I’m tasked with creating an elaborate deck that allows the founders to understand how the right design choices will directly lead to huge gains in revenue. I amass images of vaulted ceilings, arched doorways, impressive pilasters, and arrange them into a compelling architectural story. I don’t think about the injured runner until I am packing up to leave my office. Then, as I pull on my jacket, the morning’s incident reappears in my memory. 

Perhaps I hurt her—but only briefly. Only insignificantly. She will be fine without me. 

*

I ask the girl in the room if I can see what she’s drawing. 

She doesn’t say anything, but she holds up her notebook, its inner pages facing me. 

She’s not an especially skilled artist, and her blue ballpoint pen isn’t the most nuanced medium, but all the same I recognize what she has drawn. Who she has drawn. 

Without question, it’s me. Not me today, the adult, but me as I looked thirty years ago, when I was her age. That dark, messy hair. Those wild eyebrows, those pre-Invisalign teeth that made my lower lip stick out further on the right side than the left. Refinements to small details of a house’s architecture can change the identity of the entire property, and the same is true of people. If I did not know this used to be my face, I could not have guessed it.

“I know her,” I tell the girl. 

“Uh huh,” she says, either disinterested or disbelieving.

“No, I’m serious. I do.”

“Okay. How do you know her?” the girl says, pulling her notebook back. 

Explaining that I am the girl in the picture, just older, seems too complicated, and possibly unnecessary. “Well, I heard a story about her,” I say instead.

“So you don’t really know her.” 

“I guess not,” I say, and maybe it’s true. 

She flips the page idly and starts drawing on a new sheet of paper. “What’s the story?” she asks. 

“It’s from a long time ago. It’s kind of sad.” 

“Sad how?” 

“Sad in the way that you don’t really recognize at the time. More of a retrospective sadness.” 

“What happened?”

“The girl you drew, she grew up in this small town, right? And she had a friend she was very close with. They were best friends, I guess. And they had a lot in common. A lot of similar interests. The same likes and dislikes. So it wasn’t that surprising when they liked the same guy.” 

“And you said they lived in a small town. There probably weren’t that many guys around to begin with.”

“No, there weren’t. I heard there weren’t,” I agree. “So, the girl in your picture and her friend, they fell for the same guy. And it shouldn’t have been a big deal, because they were so young, and there were sure to be many other guys. But it was also because they were so young that it seemed like such a big deal. At that age, the stakes of everything are very high. Or at least they seem to be when you’re sixteen. And then when you’re older, you get more perspective, you know?”

“No. I don’t.”  

That’s fair; she can’t know these kinds of things, the things that only become knowable after years and years.

“So these friends liked the same guy,” she prompts me. 

“Yes, they both thought they were desperately in love. With Adam.” 

She doesn’t react to the name, but why should she? She hasn’t met him yet.

I continue the story. “And he was a nice guy. And so were the girl and her friend—they were nice people, too. But even nice people can end up in hurtful situations.” 

“What situations?” 

“You know. Normal situations, the situations that happen to everybody in high school. Crushes and confusion and heartbreak situations.” 

“But what happened? Whose heart was broken?” she asks. A ray of soft sunset light pushes through the crown glass windowpane and sneaks across her cheek. 

I’d like to think it was both of us, but I am not sure that it was.

*

We’re hanging out at the mall after school, like we always do. We walk back and forth down its sprawling length, going into the same stores and looking at the same merchandise over and over, as if the slouchy boucle sweaters and alternative rock CDs and dangly bauble earrings aren’t the same sweaters and CDs and earrings we looked at yesterday and the day before and probably the day before that, too.

When we are tired of walking, we go to the food court. She gets egg rolls from her favorite fast-food place and I get fried zucchini from my favorite fast-food place, and we sit on the plastic stools that are bolted into the floor, leaning on the dingy tables that are also bolted into the floor.

“You know who I wish was here right now?” she asks. 

“Adam,” I say. I wish the same thing. 

“Yeah,” she sighs. 

We dip our fried finger foods into dipping sauces. She has sweet and sour and I have marinara. 

“Maybe he’ll ask you to prom,” she suggests. 

“Or maybe he’ll ask you.” 

Adam is a junior while we are only sophomores, and therefore not allowed to go to prom unless an upperclassman asks us. But we think it’s a possibility, at least for one of us. We are both advanced in science and were placed in an eleventh-grade chemistry class, which is how we met him. Sometimes I will end up paired with him for a lab, or sometimes she will, and on those days, we cannot wait to put on oversized white coats and safety goggles and measure various liquids into pipets and heat solutions up over Bunsen burners and hope it turns out to be the day our most romantic dream will come true. 

She and I have the same dream. 

It’s not so far-fetched; neither of us are quiet or retiring in his presence. We don’t merely admire him from afar. We talk and joke around with him, and, in what we hope is a unique benefit of knowing us, his lab grades whenever he partners with either of us are significantly higher than when he is partnered with anyone else, which we can deduce because our chemistry teacher always hands our reports back in order from the best score to the worst. We feel certain Adam enjoys our company; or, if he hasn’t quite gotten to the point of enjoying it, he must, at minimum, appreciate it.

We’re still eating our egg rolls and fried zucchini when something amazing happens. As if the power of our desire is great enough to manifest physically, Adam walks through the mall’s automated doors and into the food court. 

We gasp with joy. Such a coincidence cannot possibly be just a coincidence. It’s too unbelievable, that we would be talking about Adam (though these days we are almost always talking about Adam) and then he would appear, as if we’d summoned him (though he works at the mall, at a sporting goods store, and so is admittedly here regularly, which is one of the reasons we are also here so frequently). But still, the timing seems auspicious. This coincidence must be more meaningful than most. 

He sees us and waves, then meanders over to our table. Our hearts spasm.

“Hey,” he says. 

“Hey,” she says. 

“Hey,” I say.

“Want one?” my friend says, holding out her container of egg rolls.

“Sure,” he says, choosing one and biting it in half. 

She was quicker than I was, and now, if I offer Adam some of my fried zucchini, it will seem that I’m unoriginal. If I don’t, it will seem that I’m ungenerous. It’s a miserable conundrum.

“Do you have to work today?” I say, desperate to keep the momentum of the conversation going, bypassing any talk of zucchini. He nods, then glances at the big clock that dominates the center of the food court. 

“Shit, I’m late,” he says to both of us. “Thanks for the egg roll,” he says to my friend only. 

We wave at his back as he heads in the direction of the sporting goods store. When we look at each other, we are ebullient, but she alone is triumphant. She alone has managed to give him a gift. 

*

There is joyous news at work: we’ve landed the big client, the advertising agency we’d been chasing for months. I’m assigned to the account, and introduced to their team as one of the brightest minds in the industry.

“Not to mention,” a corner-office executive adds proudly, “one of the most dedicated. No kids, no husband. She doesn’t even go on dates. Nobody else will be there for you the way she will.” 

I suppose I could consider the irony of the statement: that I am a person who is known for her commitment to corporate entities, but unable to offer the same reliability to individuals. But for now, I simply shake the hands of everyone from the client’s team, telling them I’m thrilled to be collaborating with them, that I see big things in the agency’s future. The atmosphere in the conference room is one of optimism and excitement. 

An assistant pulls a bottle of bubbly from a refrigerator; it is stocked with an impressive supply of identical bottles in preparation for events such as this one. With delight, he pops the cork. The champagne is doled out into plastic flutes and the group of us, our team and their team, mingles as if the conference room is a high-end cocktail lounge. 

“We’re very excited to work with you,” a woman from the client’s team tells me. Her pale pink blouse matches her manicure exactly: either she pays incredible attention to minute details, or she loves pale pink.  “We’re looking to create something truly special with our new building. Everyone else in our industry is creating these bare-bones, contemporary spaces that are so antiseptic and alien…but we really want to distinguish ourselves, we really want to set ourselves apart with a different character. We’d love something more classic. That has more of those old-fashioned details that add texture and personality.” 

“I love hearing that,” I say, and I do. My heart swells at the possibility that maybe this time—this time—the client will actually be able to follow through with their vision for a contemporary space that still pays homage to the past. 

Then the client transitions into a more personal mode. “So, where are you from? Or did you grow up in the city?”

I shake my head and tell her the name of my town, and a soft film of recognition descends over her face. 

“Really? That’s so interesting,” she says. “My college roommate was from that town. In fact, maybe you knew her! It’s a small town, isn’t it?” 

“What’s her name?” I ask, though I am having one of those eerie moments of premonition that hits some of us upon occasion, in which we already sense the events that are to come before they have a chance to unfold.

The woman says the name of my friend, the sound of those syllables electric, even after all this time. If I didn’t know such things were impossible, I might think I had invoked this woman into existence.

“No, I didn’t know her,” I say. 

*

A few days later, Adam asks my friend to prom. I know, intellectually, it is not because of the egg roll, but I cannot stop replaying that moment at the mall in my mind, as if everything about our futures hinged on those seconds in the food court. Something had transpired, even if I couldn’t define it, that had shifted the balance of the world, or at least my world: when my friend and I seated ourselves on those bolted-down chairs we were equal, but by the time we stood up this was no longer the case. Somehow, she had gained an advantage. 

“You’re not mad, are you?” She looks at me, worried, as I pull my Algebra II textbook from my locker.

“No.” 

“Because I didn’t do anything.” 

“I know.” 

“So you’re okay with it, then?” 

“Okay with what?” I say, although I already know what she means. 

“If I go to prom with Adam.” 

I close my locker door in an effort to delay my answer.

“Because if the situation were reversed,” my friend continues in an uncharacteristically tinny, high pitch, “and he’d asked you, I would want you to go. I would be happy for you.” 

The thing is that she can’t know that. She can’t know how she would feel in those circumstances; she can only know how she would hope to feel. 

I know what the right answer is. I know what I need to say.

I say it. 

“I want you to be happy,” I tell her. “You definitely have to go. Go to prom and have a great time.” 

“You’re sure it’s okay?” 

“I’m sure.” My throat is getting smaller and smaller; words are trapping themselves inside it and I can’t say any more.

“I’m so relieved,” my friend says, her voice dropping back into its normal register, “and you are the best.” I can tell she means it, but she seems not to notice that I can’t look at her.

In Algebra I stare at the board, where the teacher is writing lines of equations, but that’s just the direction my eyes are looking and has no bearing on what’s happening inside my mind, which is a twisting procession of questions that have no answers, or at least no good ones, like Is my friend more fun than me? Is my friend smarter than me? Is my friend prettier than me, is she more attractive, is she sexier?

At home, I stare at my naked body in the full-length mirror in my bedroom. It doesn’t look the way naked or nearly-naked women’s bodies are supposed to look, according to feature films and lingerie ads. My stomach is not flat. My hips are far wider than my shoulders, the lines that define my body between my rib cage and my thighs lumpy.  Inside, my emotions slam together, trying to break through to the outside. It’s no wonder Adam did not ask me to prom.

If I am ever to be someone Adam could love, I must be better. 

*

The interesting thing about running is that it moves one, physically, through external space, while internally, everything settles into stillness. The forces counter one another; they create equilibrium and balance. 

The sensation is not so different from that achieved when one walks into a well-designed building: tranquility, serenity, and possibly even forgiveness. 

*

The woman in the conference room does not have a sense for being deceived. 

“That’s strange. I would have thought that in a town like yours, everyone would’ve known everybody else,” she says, guilelessly. “But I suppose some paths just never cross.” 

“That’s true,” I say. 

An awkward pause threatens our conversation. In the interest of maintaining an easy professional relationship, I say, “So, what was your roommate like? The one from my town?” 

“Oh, she was lovely. Very kind and very smart. Though I’ll admit that I didn’t get to know her that well. We only lived together that first year of college, and she went back home most weekends to visit her boyfriend. It was one of those old-fashioned high school sweetheart situations.”

“I’ve never really believed in those,” I say, smiling. 

The woman laughs. “They’re not like unicorns. They really exist! My roommate was proof of that. She left school after—oh, it was right around when everyone was starting to worry about Y2K, so it must have been our junior year—to marry that boyfriend.” 

“She married Adam?”

The woman frowns slightly. “I didn’t say his name.” 

“You did,” I insist. “You said his name was Adam.” 

“But I couldn’t have. I don’t even remember what this guy’s name was.” 

I shrug, casual and non-committal. “You must have remembered is subconsciously, because you said it. You said Adam.” 

“I’m not sure,” she says, dubious. 

“It’s too bad your roommate didn’t finish college,” I say, re-directing the conversation. “If she was as smart as you say.” 

Now it’s the woman’s turn to shrug. “I don’t know. I’m sure she had her reasons. You have to do whatever makes you happy, you know.” 

The conference room suddenly seems very dark, everyone in it more like shadows of people than people themselves. I feel like I’m going to fall down. 

“So, she’s happy?” I say.

“What? I didn’t quite hear that.” 

“So, she’s happy?” I say again, more loudly. “Your roommate?” 

The woman starts a bit at the increased volume of my voice. “Oh, I haven’t talked to her in years, but sure, as far as I know.” 

Looking around, I see that the plastic flutes are empty and people are starting to pick up their coats and bags. The corporate celebration is coming to an end. I gather myself; how strange that I had that momentary faintness. Perhaps it was the champagne. 

“That’s wonderful,” I tell the woman. “And what a small world it is, that you knew someone from my hometown.” 

“It’s definitely an unexpected coincidence,” she says, glancing towards the door. Most of her colleagues are beginning to trickle out. 

“It makes me think it was meant to be, that we would end up working together on this project,” I say quickly, before she can leave. It’s important to reinforce the sense that our companies’ future collaboration is destined to be a success. “And it was wonderful to meet you,” I add, shaking her hand with its perfectly polished nails and releasing her from our conversation. 

I think of the injured woman from the park. It’s been several days since she fell, and I wonder if she has forgotten that I broke my promise to her. 

*

The girl is still drawing. I ask her if I can see her notebook, and she holds it up. It’s the same picture of the same face. My younger face.  

“I know her,” I tell the girl. 

“Uh huh,” she says.

“No, I’m serious. I do.”

“Okay. How do you know her?”

I still don’t know how to explain. 

“How do you know her?” I say instead of answering the question. 

“She’s my friend,” she says.  

*

My friend wants me to go prom dress shopping with her. She asks if I want to meet up at the mall. 

“Sure,” I say, feigning joy. “That will be so fun!” 

“I’m thinking something long and green,” she says, which is unsurprising. Green is our favorite color, and if I were going to prom, I would also want a long, green dress. 

We agree to get together at noon on Saturday—we’ll get lunch first, so we have the energy needed to sustain a long day of shopping—but when noon rolls around, I don’t go to the mall. I stay home, and when the phone rings, I don’t answer it. I don’t need to. I can already sense who’s on the other end of it: my friend, standing at the payphone in the food court, looking up at the big clock, her face worried, wondering why I am not there as I said I would be. 

I don’t return the message she leaves on the answering machine, and when I see her in the hall on Monday, I keep walking as if I don’t see her, even when she calls my name. I do the same on Tuesday, and Wednesday, and so on. 

After a while, so does she.

Prom comes and goes but now, in Chemistry, my friend and Adam are always lab partners. They amble through our school, smiling, fingers intertwined, and whenever I see them, my insides gnash together and I wonder what will happen to me if the tumult never stops. I am miserable without my friend, but my friend is happy without me. 

I take up running.

*

I walk out of the room and shut the door behind me. Then I turn back, re-enter. The girl looks up. 

“She’s my friend,” she says again, holding up the drawing, showing me myself.

She was your friend, I think.

She was your friend until Adam liked you more, and then she was not strong enough to be loyal to you. She said it wouldn’t affect your friendship—but that was a lie. She lied to you, and then she ran away. 

*

The client is happy with our designs. To be more precise, they are happy with my designs, for I have done the brunt of the work, both conceptually and physically, that comprises the presentations we share with them.

“We love these details,” the pink-nailed woman says. “The placements and shapes of the windows, the arches of the doorways—they’re gorgeous. They’re reminiscent of an earlier time—a better time, I’d venture to say. The only thing is”—and here she flinches—“as we look at the estimates, we fear the project is a little more costly than we’re prepared for.”

My heart breaks as it understands that the design I have conjured for them is yet another beautiful dream edifice that will never be a reality. But my heart is harder than it used to be, so it only breaks a little. 

“Of course we can come up with some more economical solutions,” I say reassuringly. “I’m certain we can design a space that will suit all your needs.” And I am certain. Designing spaces that suit all needs, all purposes, is what I do best. 

*

The door at the end of the hallway is closed. I could walk down it, turn the doorknob, and see what the girl inside is drawing now, but I think it is better if I do not. 

She will never get older, she will never age. She will never stop thinking the girl she draws is her friend. 

Tomorrow, the park will be gloriously empty as I run, and as the sun threatens to make itself known just behind the city skyscape, the peace of my pounding feet will fill me, and the specifics of the jog will fade into every other jog, and I will not remember it at all. 

 

FictionKatherine Vondy
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  • Published in Featured Fiction, Fiction, Issue 33
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FEBRUARY MONTHLY: INTERVIEW with CLAIRE HOPPLE

Friday, 14 February 2025 by Claire Hopple
Blonde Caucasian woman (author Claire Hopple), wearing a graphic tee shirt and skirt, stands facing the camera. Her right hand rests on a vertically turned metallic cart behind her, with planters on either side.

From the first sentence of Claire Hopple’s latest novel, Take It Personally, you know you’re in for a ride—in this specific case, you’re sidecar to Tori, who has just been hired by a mysterious and unnamed entity to trail a famous diarist. Famous locally, at least. What sort of locality produces a “famous diarist”? One whose demonym also includes the nearly equally renowned Bruce, made so for his reputation of operating his leaf blower in the nude, of course. And that’s just the beginning. Take It Personally follows Tori as she follows the diarist, Bianca, determined to discover whether her writings are authentic or a work of fiction. At least, until Tori has to go on a national tour with her rock band, Rhonda & the Sandwich Artists, who are, as Tori explains, right at the cusp of fame. It is a novel as fun as it is tender, filled with characters whose absurdity only makes them more sincere. 

Claire Hopple is interviewed by E. Ce Miller.

*

FWR: It seems like much of your work begins with absurd premises. The first line of Take It Personally is, “Unbeknownst to everyone, I am hired to follow a famous diarist.” This quality is what first drew me to your fiction, this sort of unabashed absurdity. But then you drop these lines that are absolutely disarmingly hilarious. You’re such a funny writer—do you think of yourself as a funny writer? What are you doing with humor? 

CH: Thank you! That is too kind. I’m not sure I think of myself as a funny writer, or even a writer at all––more like possessed to play with words by this inner, unseen force. But I think humor should be about amusing yourself first and foremost. If other people “get it,” then that’s a bonus, and it means you’re automatically friends.

FWR: In Take It Personally, as well as the story we published last year in Four Way Review, “Fall For It”, many of your characters have this grunge-meets-whimsy quality about them. They seem to have a lot of free time in a way that makes me overly aware of how poorly I use my own free time. They meander. They follow what catches their attention. They are often, if not explicitly aimless, driven by impulses and motivations that I think are inexplicable to anyone but them. They seem incredibly present in their immediate surroundings in a way that feels effortless—I don’t know if any of them would actually think of themselves as present in that modern, Western-mindfulness way; they just are. In all these qualities, your characters feel like they’re of another time—unscheduled, unbeholden to technology. Perhaps a recent time, but one that sort of feels gone forever. Am I perceiving this correctly? Can you talk about what you’re doing with these ideas? 

CH: I’ve never really thought about them that way, but I think you’re right. And I think my favorite books, movies, and shows all do that. We’re so compelled to fill our time, to make the most use out of every second, and it just drains us. There’s a concept I heard about recreation being re-creation, as in creating something through leisure in such a way that’s healing to your mind. We could all stand to do that more. Hopefully these characters can be models to us. I know I need that. But reading is an act of slowing down and an act of filling our overstimulated brains; it’s somehow both. So maybe it’s just a little bit dangerous in that sense.

FWR: Are you interested in ideas of reliable versus unreliable narrators, and if so, where does Tori fall on that spectrum? She’s a narrator presenting these very specific and sometimes off-the-wall observations in matter-of-fact ways. I’m thinking of moments like when Tori’s waiting for the diarist’s husband to fall in love with her, as though this is an entirely forgone conclusion, or the sort of conspiratorial paranoia she has around the Neighborhood Watch. She also “breaks that fourth wall” by addressing the reader several times throughout the book. What are we to make of her in terms of how much we can trust her presentation of things? What does she make of herself? Does it matter if we can trust Tori—and by trust, I suppose I mean take her literally, although those aren’t really the same at all? Do you want your readers to? 

CH: All narrators seem unreliable to me. I don’t think too much about it because humans are flawed. They can’t see everything. For an author to assume that they can, even through third-person narrative, achieve total omniscience in any kind of authentic voice seems a little bit ridiculous. But I’m not saying to avoid the third person, just to not take ourselves too seriously. I hope that readers can find Tori relatable through her skewed perspective. She views the world from angles that give her the confidence to continue existing. They don’t have to be true in order to work, and I think a lot of people are operating from a similar mindset, whether they realize it or not. We can trust her because she’s like us, even––and maybe especially––because she’s not telling the whole truth.

FWR: Take It Personally is a novel I had so much fun inside. I read it in one sitting, and when I was finished, I couldn’t believe I was done hanging out with Tori. From reading your work, it seems you’re having the time of your life. Is writing your fiction as good a time as reading it is? 

CH: It means so much to me that you would say that. Seriously, thank you. Yes! Reading and writing should be fun. I’m always confused by writers who complain about writing. If they don’t like it, maybe try another hobby? I secretly love that nobody can make money as a writer in our time because it means writing has to be a passionate compulsion for you in order for you to continue. 

FWR: You’re the fiction editor of a literary magazine, XRAY. Does your editing work inform your writing and publishing life? How do you see the role of lit mags in this whole literary ecosystem we’re all trying to exist in?  

CH: Lit mags are crucial. They’re some semblance of external validation, which everyone craves. But what we’re doing, whether intentionally or unintentionally, is creating a community. We’re only helping each other and ourselves at the same time. 

FWR: It is a strange time to be a writer—or a person, for that matter. (Although, has this ever not been the case?) As we’re holding this interview, parts of the West Coast of the United States are actively burning to the ground. Other parts of the country are or have very recently been without water. I know you directly witnessed the climate disaster of Hurricane Helene last year, which devastated many beloved communities in the mid-Atlantic, including the wonderfully art-filled city of Asheville. How are you making space for your writing in all this? How are you able to hold onto your creativity amid so many other demands competing for time and attention? 

CH: Completely agree with you here. Things are a mess. Our climate is barely hanging on. There were several weeks where I couldn’t really read or write at all; the whole thing felt like some ludicrous luxury. I was flushing toilets with buckets of creek water. But now that my head has finally cleared, I’m able to realize their importance again. Great suffering has always produced great art and hopefully points us to a better way of living. It just might take time, recovery, patience, and perspective to develop that. Some of my favorite paintings and books were a direct result of artists’ personal experiences at the bombing of Dresden in WWII. How weird is that? We have to make time for art, but not in some sort of shrewd drill sergeant kind of way. We have to fight for it, make space for it, recognize that it’s just as important as whatever else is on the calendar. Recognize that it’s a form of therapy. And we have to feel so compelled to create that it’s happening whether we even want it to or not.

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OCTOBER MONTHLY: Interview with Salvatore Pane

Tuesday, 15 October 2024 by Salvatore Pane

We’re excited to share a new series of interviews exploring craft. In these conversations, we’ve asked writers to take us behind the scenes of their finished works, showing us the process behind the poem, the scene, and the story. 

Last month, we spoke with Jessica E. Johnson, on her memoir Mettlework: A Mining Daughter on Making Home. This month, we’ve spoken with Salvatore Pane, author of The Neorealist in Winter, a collection of short stories that focuses on what it means to be human in an age of media saturation. For this interview, we focused, in part, on two specific short stories: “The Absolutely True Autobiography of Tony Rinaldi, the Man Who Changed Pro Wrestling Forever” and “The Complete Oral History of Monkey High School”. The Neorealist in Winter is the winner of 2022 Autumn House Press Fiction Prize, selected by Venita Blackburn. 

 

Considering the focus of these conversations is on process, we’d be remiss to overlook our own process in conducting the interview! We’d like to give special recognition and thanks to our 2024 summer intern, Kirby Wilson, who helped shepherd these conversations from initial readings to their final form. Kirby was instrumental in crafting the conversations you now see before you. 

Enjoy!

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THE JUNIPER 3 by Trudy Lewis

Sunday, 11 August 2024 by Trudy Lewis

No one even remembered our dad’s sad song until Tate brought it back on TikTok. The angst and the ecstasy. The emo vocals and the math rock chord progressions. The long and whining bridge between curt, accusatory verses.

My mother killed me

 My father ate me

My sister gathered up my bones

I’d heard it hundreds of times, of course. It was The Juniper 3’s anthem back in the aughts, before the drummer took up with the Sufis and Tate’s mom OD’d on oxycodone. The band only recorded one album, but they toured the Midwest for four years on the strength of cult favorites. For the last few months, they brought baby Tate along with them, leaving him in the motel with his teenage aunt while they banged it out at college music festivals or milked the instrumentals for hardcore fans in the clubs.

Maybe that’s why Tate was always vocalizing. I remember him rapping nursery rhymes when I was a toddler and beatboxing with his cheek next to mine, so that I could feel the rhythm pop and swell against my skin. 

By then, Dad had gone back to programming and married my mom. It didn’t take him long to realize that he needed a responsible woman to help with Tate, who was already becoming difficult, throwing tantrums and refusing to sleep. So Dad got on a dating app, one of the early versions, where the developers clearly hadn’t worked out the kinks. Of course, people can make bad life choices without any help from an algorithm. But the external validation only encourages them to ignore their mistakes.

I was thirteen before they admitted anything was wrong. Meanwhile, I had been noticing for years. Dad steered around her in the kitchen, so that they never touched. She flinched as he leaned across her to open the glove compartment. Mom set the alarm for five a.m. so she could get some quiet before going into the insurance office, and Dad stayed up making music until one. 

What did it measure anyway, that outmoded app? Sexual compatibility? Economic stability? Common interests?  She must have claimed to enjoy music, at some point. After all, she insisted I learn an instrument and bragged to anybody who’d listen when I made first chair flute. But ever since I could remember, she’d been shouting at Dad to keep the volume down. When I was little, he’d bring his guitar into the living room and pass out triangles and maracas so we could play along. By elementary school, he was down in the basement experimenting with his sound system every night. By middle school, he didn’t even eat dinner with us, just grabbed a plate and took it down to his studio.

But they were adults. The person in our house I felt sorry for was Tate. You couldn’t turn Tate down. He was always spilling over with sound, humming, beatboxing, pretending to speak French or German, whistling, cracking his knuckles, snapping his fingers and clicking his tongue. 

One day when he was nine or ten, he got detention for disrupting a school assembly and Mom asked if Dad thought the kid was on the spectrum. She certainly hoped so, because then maybe they could get some medication to even him out.

That was one of the few times I saw Dad explode at her, his voice cracking into sheer static and his thin, handsome face turning red as his goatee.

Because, of course, Tate’s mom had died of drugs.

I was thrilled to see him defending my brother for once. Usually, Dad wasn’t around when Mom punished Tate by making him go without his dinner and sit out in the mudroom in the dark. Once, she made him pee in the girl’s bathroom for getting into her make-up. Another time, when he had a meltdown in the electronics store, she left him there, driving halfway home before going back to pick him up. Even then, she sent me in to get him. 

 She was constantly asking why Tate couldn’t be more like me.

“See how Lena cleans her room without anyone asking?”

“Look how Lena sits still for the dentist.”

“Lena is so quiet that she gets an extra stick of gum.”

 I’ll never understand why Tate didn’t hate me for the preferential treatment. I know I hated myself, that pitiful zombie who followed along behind her mother without any will of her own. If he was a regular person, my brother would avoid and resent me. But, being Tate, he loved me more than anyone else I’d ever known. 

*

One afternoon just after my thirteenth birthday, we were sitting outside under the tulip tree when Mom drove up in her Escalade. Tate had been telling me about his confrontation with the gym teacher, punctuating the story with sound effects: the bouncing basketball, the squeaking bleachers, the banging lockers, the splashing in the pool. Sometimes it was hard to look at him when he talked. So I stared up through the branches instead, admiring the pink blossoms with mouths as wide as teacups and remembering how we pretended to drink out of them as kids. A plain brown bird perched next to one of them, singing a sad and piercing song. 

 The jerky motion of Mom’s vehicle let me know something was wrong. My throat closed, and I thought about the anti-anxiety pills I was supposed to be taking. I’d skipped a couple of days because they were making me dizzy, and now I felt a full-fledged panic attack coming on.

She pulled the car up too close, nearly veering into the yard, and emerged like a storybook pop-up, with her long neck, bright make-up, curly hair, and ruffled blouse. Even her smell was dangerous, a perfume so strong that it singed the hairs inside my nose.

“Get in the house, both of you. We’re not going to give the neighbors a free show.”

She herded us up the front steps, kicked the shoes out of the doorway, and slammed the front door behind her. I stayed as far away as possible without appearing to retreat, because I knew from experience that would only make things worse. Tate, of course, went right into the path of danger, taking her canvas tote from her and setting a hand on her arm.

“Bad day at the office?” he asked. “Trouble at the low-cal, no foul, farm insurance saloon?” 

“You could say that. I found out my stepson is making a fool of himself on social media, letting his freak flag fly out over the internet for everyone to see.”

Tate blushed, bringing his new sideburns into focus. Although he’d always been a brunette, his facial hair was going to be as red as Dad’s. 

“Yeah, it was just an experiment.” Tate said. “I wanted to see if I could drum up some interest in Dad’s old band. You’d be surprised how many people remember. And then some younger kids just like the bebop bipitty of the down and dirty beat.” He began demonstrating, pursing his lips and blasting out a series of verbal farts that shook the windowpanes and ruffled Mom’s hair. 

She turned away, waving her hand in front of her face, and swung the sharpened blade of her profile toward me. “Lena, did you know about this?”

I couldn’t deny it. After all, I was the one who had filmed the video of Tate mugging for the camera in Dad’s studio, wearing his mom’s old blue fright wig and a vampire cape. 

“It was just a goof.” I said. “We did it last week when we had early dismissal.”

Tate’s rendition was nothing like my father’s. It was speeded up and syncopated until it was nearly unrecognizable. My brother punctuated his lines with a flurry of clicks and whistles, his cheeks puffing out, then deflating with a loud pop over his cheekbones. His phrasing was so erratic you could only make out a few of the words. Mother. Father. Sister. Kill. Eat. Bones.

“And what about your father?”  

“I was going to surprise the old duder once I got up to a million views.”

“Which should happen, like tomorrow, if it keeps on blowing up,” I said, bragging on my brother even though I ought to know better by now.

Tate tugged on the string of his sweatshirt. “It’s supposed to be a birthday present for his fortieth, you know, to show he’s not completely and irrevocably irrelevant.”

Mom rolled her eyes and pulled a miniature bottle of hand sanitizer out of her purse. “You need to take it down,” she said, pouring a clear puddle into her palm. “Take it down or I’ll cut up your learner’s permit and never let you drive the car again.” She rubbed her hands together, as if she had the problem solved.

“Don’t you even want to see it first?” I asked.

“Believe me, I’ve already got an earful from my colleagues. Take it down and your father never has to know.”

*

But I couldn’t let that happen. Not when Tate was so invested the project. I waited until Mom was asleep, then walked down the orange-carpeted stairs to the basement, feeling the shag catch between my bare toes. I smelled pot smoke and popcorn. I saw a flicker of fluorescents, heard the blunt attack of the guitar. My father was singing in his angry young man’s voice. The sound was much more confident than his speech, and for a minute, I wondered what my life would be like if I’d been raised by a singing father instead of a silent one.

He must have known what I was thinking, because he inserted my name into the music: Lena, Marlena, Marla, Marlene! The sound enveloped my body and warmed my ribs, until I could almost believe he was a regular father and not just a sad, defeated hipster who had given up all pretense of parental responsibility.

He sat at the bar in his day-glo T-shirt and hiking sandals, head bent over his guitar so I could see his bald spot, an icy, white thumbprint in the lava flow of red. Behind him, a huge poster showed The Juniper 3 at the height of its fame: Dad skinny, in horn rims and a paisley button-down, the drummer rocking a fedora, Tate’s mother ripped as an apocalyptic warrior in her leather vest and shredded tights.

“What’s up?” he asked, gesturing for me to speak over the music.

“It’s Tate,” I said. “He did something amazing. And now Mom wants him to throw it away.”  

“What was it, this spectacular thing your brother did?”

I handed him my phone.

Dad’s face went white and his hands slid off the guitar.

He pulled it close, then blinked and adjusted the volume. There was Tate, puffing and blowing, clicking and tic-ing, bringing out the banger side of Dad’s mumblecore song.

“That’s it, all right. Though I don’t know if I’d recognize it if you hadn’t pointed it out to me.”

“It’s heading for a million views.”

“Which translates to what, about twenty bucks and fifteen minutes of fame?”

I shrugged. “Who knows? Anyway, Tate did it for you. For your birthday.”

He replayed the video, slapping his leg in time to the beat. “I never knew he had any interest in that old tune.”

“Mom’s telling him he has to take it down.”

He rubbed at the screen, like he was trying to wipe away a smudge.

“His mom always thought he’d grow up to be a musician. I mean his biological mother, Krista.”

Krista. The bass player with the shaved head and the arms bigger than Dad’s.

“She was deliberately trying to get pregnant, you know. It wasn’t an accident, like your mom always assumes. Krista went to a psychic who said it might be now or never. Why she consulted a psychic and not a doctor, I’ll never know. Then after five months, she finally missed her period and we knew that Tate was on his way.” 

I blushed, thinking of three months earlier, when I found the first clot of blood in my underpants and had to borrow a pad from my frenemy Blair Simpson who was applying eyeliner in the girls’ bathroom. But I felt a kind of pride too, knowing that Dad wasn’t too embarrassed to discuss the female anatomy with me.

Dad started the video again. “I guess I’ll have to talk to Mom.”

*

Sometimes, I envied Tate because he had another mother, even if she was dead. At least there was a reason he got treated like a stepchild. Though Mom favored me, her attention could be dangerous, and her praise sometimes felt like a curse. She monitored my weight, my schoolwork, and my medication. She made a chart where I was supposed to record my flute practice. She was always nagging me about me getting a solo in the band concert or raising my grades. Tate, on the other hand, she could ignore for days, until he did something disruptive.

But the TikTok really got under her skin—maybe because it was so public. Now there was no way to hide the eccentricities of her adopted son, who, though he had never been diagnosed with any particular condition, was clearly some kind of genetic anomaly. When I came home from school the next day, she was already there.

“I got off early for good behavior,” she said, switching out her sunglasses and snapping them into her purse. “I thought we could go out for ice cream.”

“What about Tate?” 

“Just us girls. So we don’t have to talk over the noise.” 

She hadn’t been so chatty when I got my period, only tossed me some pads and told me I better stay away from the boys. 

But now her voice was low and sweet, melting as quickly as soft serve.

“Did Dad say anything to you?” I asked.

“Your Dad has bent my ear with fish stories and fairytales, most of which I attempt to ignore.”

She drove me downtown to the Sweet Spot where she ordered a cup of mango sorbet for herself and chocolate marshmallow on a waffle cone for me. We ate our treats outside, watching little kids smudge their faces and dogs beg for the tail ends of their cones.

“Should we get something for Dad and Tate?”

“They already eat enough sweets, don’t you think?  Besides, I wanted to talk with you about the TikTok.”

“Tate didn’t take it down?” I asked, even though I knew he hadn’t because I checked the app multiple times a day.

“No, and now your Dad is backing him up. It’s all this ego he has around his college band. Sometimes, I think he’ll never get over it. I can’t imagine what people are saying about your brother’s performance. But I can’t see the comments because I don’t have an account.”

I could tell where this was going. I licked at a drip of chocolate that was sliding down the side of my cone and tried to buy some time.

“Lena, I wouldn’t be asking if I didn’t think it was for your brother’s own good.” 

“Hmm,” I said, biting off a brittle piece of waffle.

“You know, it’s a thin line between admiration and sick curiosity. And I think we both know the kind of attention your brother tends to attract.”

I thought about the kids who’d piled up on his Insta, the lacrosse player who did an imitation of his stutter, the language arts teacher who made him stand at the front of the room and recite a tongue twister every time he talked out of turn in class.

“OK,” I said. “But only because I don’t want him to have to delete it.”

I texted her my password and she immediately got on the app.

I thought about the comments I’d seen. 

Sick vibes, Dude. Props to your old man 

When we saw The Juniper 3 in Milwaukee, they played for two hours and the bass player flashed her tits

This kid is hilarious 

Seriously, what kind of yodeling is this? It reminds me of those African throat-singers 

Just think about the kind of head this guy could give

“Well?” I asked.

“I’m reading.”

“Why do you hate The Juniper 3 so much anyway?”

“It nearly killed your father. And now it’s doing a good job on his son.”

*

By Dad’s birthday, Tate’s TikTok had hit a million views. A few followers contacted him, asking for signed memorabilia. A college radio station in Kansas asked if Tate and Dad would perform a father-son duo at their fall festival. A music industry scout wrote asking if Tate had any other songs. Even Dad’s drummer got in touch after a solid decade of silence, wondering if he’d like to play a set of old Juniper 3 numbers for a Sufi fundraiser.

There was no way anyone was taking the video down now. I bought a penny whistle for Tate, even though it was Dad’s birthday and not his. I thought maybe I could teach him the basics so he could add a legitimate instrument to his next video. We celebrated with dinner at a Japanese restaurant, where they threw pieces of meat and vegetables onto your plate like confetti. Mom got a shrimp stuck in her hair. 

Dad told us he was looking for a job where he could work remotely and spend more time on his music. Tate, who must have picked up on the permissive atmosphere, asked if he could quit school and finish his degree online. He’d never liked the academic gig much anyway and now that the bullies had started sucking up to him, it was even more obscene.

Mom didn’t relish the idea of everyone hanging around the house, making more messes for her to clean up. But she didn’t actually say no. Was I imagining it, or did I see her touch Dad’s leg under the table? For once, I could see why they were together, his tender voice and her raspy laughter, his deep dimples and her pixie face. 

*

Of course, the truce didn’t last for long. Dad’s new job turned out to involve a lot of travel in addition to the down time at home, and we saw less of him than usual. Tate’s TikTok started attracting negative attention when some activists claimed it mocked the disabled. And I was having more episodes, losing my balance while standing in the lunch line, my mouth so dry it began to affect my embouchure when I was playing my flute. I hadn’t entirely stopped taking my medication but, at this point, I couldn’t distinguish the symptoms from the side effects. I felt alienated from my friends, who didn’t want to talk about anything but Tate, begging me to put them in one of his videos. Meanwhile, Mom had started monitoring my social media accounts, demanding my passwords and editing my posts.

Tate wasn’t making much progress with his online courses. As far as I knew, he still hadn’t recorded another song. He never took out his Airpods and if I wanted to talk to him, I had to reach in and pull one off him, like breaking a wishbone.

“Hey. What’s up? Is anybody in there?”

“Hey, what’s going down, sister? Beep-bop you later on the B-B-B-B side.” 

I admit I understood Mom’s frustration, trying to communicate with a person who’d rather use his words to make music than actually tell you what he means.

 After a couple of weeks, he stopped taking showers and wore the same gray hoodie every day, until it was covered with mustard and ketchup stains. He didn’t shave his beard when it came in red, just let tufts accumulate like random feathers on his lip and chin. It began to look like he might flunk out of high school. What was Mom going to do with him then? According to her, he was Dad’s responsibility. But according to Dad, Tate was nearly an adult who could make all major life decisions on his own.

One day, when I came home from band practice, I saw Tate sitting on the floor of the mudroom, his face hidden behind the coats.

“What’s up?” I said, sitting down next to him. “Is anything wrong?”

For the first time I could remember, he was completely still, so that I noticed how long his legs had gotten, stretched in front of him in his outgrown jeans, one leg ripped over the kneecap and the other covered in purple ink. 

Mom called from the kitchen, her voice animated with insider information. “Your brother is sulking because he got some negative comments on his Ticky-Tacky. Maybe you can cheer him up.”

I gave him a punch on the shoulder, and he still didn’t respond.

“Come on, Tate. Don’t let the haters get to you.”

What could be bad enough to make him go silent?

I pulled out my phone and scrolled through the comments, where I saw my own profile picture, a cartoon goldfinch, next to words I would never say. That I was the sister of this dimwit genius. That I was already struggling with depression and anxiety. That I begged him to take down the video so I didn’t have to quit school or die of shame.

I felt a stab in my stomach like the worst cramp I could imagine and my mouth went so dry I couldn’t feel my own tongue. But I didn’t need it anymore.  I had someone else speaking for me.

“Ask him when he’s going to stop pouting and clean out the mudroom,” Mom called. “If he’s giving up on his schoolwork, at least he could do something to pull his weight around the house.”

I shook Tate’s shoulder, but he didn’t respond.

“It wasn’t me who wrote that,” I whispered. “I promise. It was Mom.”

He slumped toward me, his weight shifting onto my shoulder, like he might consider forgiving me after all. 

“I gave her my password. I know it was clueless. But she just kept badgering me until I couldn’t hold out anymore.”

I breathed in the sour smells of lunch meat and marijuana, mustard and cereal, oily hair and stale sweat. I thought of all the times I couldn’t look at him because his face made me dizzy. I pulled harder at his shoulder, wishing that I could go back and stand up to my mother. Then he toppled over, the weight of his head in my lap. For a minute, I thought he was just goofing. Then I looked down and saw the broken veins marking up his face like red pixels, the spot of blood in his eyeball, the bungy cord wrapped around his neck. 

In some ways, it was the first good look I ever got at him and I didn’t recognize what I saw.

*

After the emergency workers left, Mom gave me a pill, and I fell into a sleep so deep I couldn’t find its edges. Then I woke up in the middle of the night, sweating into the school clothes I’d never managed to change out of. Lying there looking at my hands on the comforter, I almost convinced myself it was just a nightmare: the hateful TikTok comment, the silence in the mudroom, Tate’s head heavy and still on my lap. Then I felt my stomach split open, ripping like an outgrown one-piece bathing suit from groin to navel when I realized again it was true.

Even though it was two a.m., I could see the light under my door and hear Mom talking to my father in her dripping, soft-serve voice.

“Honey, you should try to sleep.”

“First Krista, then Tate. What is it that I do to people?”

“It would never have happened if we’d gotten him on medication.”

“I don’t know. Look at Lena. The pills don’t seem to be doing her much good.”

“He was disturbed, Babe. He was suffering. He was not equipped to live in this world.”

There was a long pause and my neck prickled as I imagined her touch on his shoulder, her hand in his hair. How many times had she comforted me like that, tenderizing me like meat before going in for the kill. 

“This TikTok incident was too much for him. I know you were flattered by the attention. But it’s a lot of pressure on a kid trying to kick-start a moribund career.”

His groan seemed to come up from beneath the house, trailing like a tree root though my intestines. It unearthed worms and mushrooms, tore through grass and spattered mud. This time, Dad wasn’t the musician, but only the instrument. And it was my mother who played him like a cheap penny whistle, putting her own spin on the tune.

*

Of course, Mom handled all the arrangements. She scheduled the funeral in the Presbyterian church where she and Dad got married and forbade any mention of suicide. She had to give Tate credit, at least, for choosing a method that left a presentable corpse. 

 I couldn’t stand the idea of people coming to gloat at his funeral, gratified that his one spectacular success had ended in the ultimate failure. Why was it that the other big life rituals—weddings, anniversaries, bar mitzvahs, birthdays—were by invitation only?  It’s only at the end they let the whole un-curated world in to gawk at your remains.

At Mom’s request, I prepared a flute solo to play in between the scripture reading and the eulogy. I’d been practicing Bach’s Partita in A Minor for months, getting ready for the state competition, but I never thought I would have to perform it under that kind of stress. Somehow, I made it to the front of the church in my black recital gown and waded into the opening bars of the Sarabande.

I looked from the audience members with their smug living faces to the still body in the casket, nothing like the real Tate. Then I locked eyes with Mom, who was dabbing a Kleenex over a face dry and perfect, makeup unsmeared. She knew I’d never tell anyone what she did to my brother. Because accusing her would incriminate me. 

I wandered through the Bach until I found the nodes of Dad’s song: the C and the A, the trill and the rest, the aching whole note and the treacherous bridge. I was on my way now, playing the song without lyrics, telling the story without words. The tune sprang free from the score and flew around the church, echoing off the rafters and lingering like a ghost over the pews.

Some of the kids from school recognized the music. They stood up and flashed peace signs or pounded their fists over their hearts.

And Dad, who had been drifting, came up to join me, filling in the sad, mad lyrics of the final verse.

*

Afterwards, Mom went into a flurry of redecorating. She cleaned out the mudroom, scrapped the living room furniture, and took all of Tate’s possessions to Goodwill. She finally had the quiet house she always wanted. Meanwhile, Dad flew to California to meet with the industry professionals who’d contacted him after Tate’s death.

As for me, I spent most of my time outside in the tulip tree. The blossoms were gone by then, but I could still make out their melon smell on my fingers. And when the branches moved above me, I thought I could hear Tate whispering: mother, father, sister. Sometimes, Krista joined him, harmonizing in her reedy alto. And if I was very still, I could even hear my father singing along in his angry young man’s voice.

After what had happened, I was afraid he’d never come back to us and that I’d be left alone with my mother, growing more and more inseparable from her. Even if he wasn’t much of a parent, at least Dad formed some buffer between us, and I missed his silent approval every time I passed the basement door.

Then, a week and a half later, he texted to say that he’d signed a music deal and was coming home to celebrate. Did we get the gifts he sent us? They should be arriving any day now: a necklace for me, a freezer for the mudroom, a designer purse for mom.  It was all Tate’s doing, bringing good things to his family even after he was gone. 

I was sitting in the tulip tree when Dad drove home from the airport and Mom ran out of the house to greet him, so excited that she hadn’t even bothered to put on a sunhat or slip into her shoes. Even the tree shook its branches, welcoming Dad home.

But I thought heard something else in the branches above me, a bird singing a familiar tune.

The mother and the father. The sister and the brother. The killing and the eating and the bloody bag of bones.

I reached in the pocket of my shorts for my phone so I could play Tate’s version, remembering how happy he’d been when he recorded it. My chest expanded and I felt a strange comfort in the the clicks and pops, the garbled lyrics and the explosive beats.

Then I looked down at Mom and made sure she heard it too. Her expression went flat, weighted down with memory. Did she even feel sorry for what she’d done to my brother?  Did she expect me to forgive her? Or did she believe that keeping the secret would bring us even closer, uniting us forever in a sinister sisterhood?

I gripped a tree branch and shook it as hard as I could. If I could bring the whole tree down on top of her, that’s what I’d do.

But I only managed to startle the poor bird, a bright Blue Jay who flew down in front of me, sailing past my mother and off into the woods.

Fictionissue 30Trudy Lewis
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FALL FOR IT by Claire Hopple

Sunday, 11 August 2024 by Claire Hopple

After they escort us out, we are told to wait here. The here being a square of sidewalk. 

If you could see the two of us on this sidewalk square. Trying to maintain appearances. It’s a delicate operation. A heavy quiet.

Some convenience store employees switch off who gets to peer out the window at us. They take turns and they take their time having a look.

Ben is carrying around his old fourth grade science project. He refuses to set it down. It’s a standard volcano, but he never quite finished the eruption part. The magma reservoir’s empty. It won’t be petrifying any ancient civilizations anytime soon. When he showed it to me, I told him my school had an arts and science fair (not exclusive to science), and that my project had been a short story about a giant blob overtaking a city, and he said that was just typical. The course of history changed on that fateful day of the Heritage Elementary Arts and Science Fair— probably! I think I got third place in my category. I don’t think there were more than three people in my category.

Now I sit here on the concrete and I see it all coming. I know how things will turn out for us. But not Ben. He appears caught unawares at all times. His face looks like a damp sandwich. There’s no other way to explain it. I guess his face is stuck like that. He’s forever cornered. 

You wouldn’t say his volcano is dismantled per se. More like lethargic. Painted rivulets of what must be molten lava punctuate its sides.

We exchange information about the comings and goings of passersby on the street while we wait. I scootch away, tapping the sidewalk. 

“Hang on a sec. Maybe there’s a trapdoor under here,” I say.

Ben shrugs, in all likelihood too busy pondering his next move to respond. 

“Call the embassy. They’ll sort the whole thing out. Write this down!” I start shouting.

No one knows what to say. And by no one, I mean me.

So that’s the situation.

He can’t let go of his science project, yet he insists on continuing his errands. Turning the whole day into an expedition of sorts. A sad one. Can there be sad expeditions? They seem part of our destiny. Which adds up. Because otherwise, we’d be unstoppable. 

We sit and blink like everyone else. When really, we are untamed animals.

They let us go. This teenager wearing a polyester vest walks out and says, “You can go.”

The whole escapade is very anticlimactic. There’s nothing they can do. No charges they can press for carrying around your childhood science project. There they go, attempting to press charges like you can press a button. I imagine a big red button with the word CHARGES on it, and there’s some old white guy in a suit sitting at a large desk swiveling around in his chair, caressing the button and laughing. That can’t be how it works. Or can it?

Admittedly, he looked vaguely threatening in there, hauling the volcano in a nearly somnambulant state. But come on. Who isn’t a threat? 

We leave. Ben drives his car like a movie prop. His steering is all over the place. Somehow, I’m noticing this for the first time. I check behind me for a projector screen with a phony background playing on it just in case. 

He gets panicky about yellow lights. You never know if he’s going to accelerate really hard or hit the brakes or sort of waffle around and make these timid little mewling noises while going the exact same medium amount of speed.

Earlier, in the store, I asked him why he was doing this, why he felt the need to carry this thing around, and he said, “To get the blue ribbon.”

He seemed a bit mysterious to me after that. I liked the feeling and wanted to leave it there. Knowing what he meant would ruin it in a sense, and so I didn’t ask any follow-up questions.

“And now it’s time for Amelia’s piano recital,” he finally says, tapping on the steering wheel with the volcano nestled in his lap.

“That won’t do,” I say.

“What do you mean? I can’t go alone.”

“Yes, but I can. She’s my niece.”

“What are you saying?”

I think about reaching over him to open his door handle, then ejecting him and his failed project out of the vehicle and onto the pavement. Somehow making it look like an accident. Corralling the car into a parking spot without moving from the passenger seat.

To get the blue ribbon. The blue ribbon of murder. An art and a science.

I stay buckled. I stare at my seatbelt and say nothing— but one of the many rewarding tasks of camaraderie with my fellow humans.

“This is really important. I don’t know when I’ll see anyone again. I’ve booked a trip and I’m not sure when I’ll return,” Ben says.

“Oh yeah?”

I feign interest to throw off suspicion. To have him at my disposal. I’m not used to it though. I’m always interested. Even when I shouldn’t be.

“Yeah, I’m going to visit the real Bigfoot. Prove his existence and all that. Develop a pact with him. Maybe even a secret language, who knows.”

“A commemorative plaque,” I say.

“Huh?”

“You should get him a commemorative plaque for the occasion. That’d be a nice gesture,” I say.

I can tell he’s waiting for more from me. So I cup his kneecap in my palm. Nice and snug.

“These things happen,” I say, not really knowing what I’m saying.

“Anyway, I wanted to tell you first,” he says, glancing down at his knee and back up at the road a few times.

My hand is still cupping his kneecap and I squeeze it firmly. With my grip strength, I could pop that cap right off. 

I release my hand. That was close. Too close.

I open his sunroof and lift his project up through it, showcasing his handiwork for the whole town to see. This paper volcano is part of my life now. That’s the main thing.

I examine Ben’s damp sandwich of a face, awaiting a signal.

Claire HoppleFictionissue 30
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GIFTS by Samantha Neugebauer

Sunday, 11 August 2024 by Samantha Neugebauer

Marie and Ms. Simpkin’s unexpected meeting on the park’s northwest corner got their lunch off to a bad start. Neither felt quite ready to commit themselves to conversation, yet what else could they do? They would need to proceed around the gated park and down Irving Place together as if the ten minutes of solitude they’d lost had been no loss at all. 

Walking side by side, each suspected the other’s inner disappointment, though neither could right it, and the more questions they posed to one another, the more each mourned their solitary stroll and the things they would have seen and pondered on their own. In the body, disappointment, the quotidian sort, wedged firmly between tension and imagination, the only paths outward. Taking shorter steps than she was accustomed to taking, Marie fixed her gaze on the old woman’s plump, jaundiced hand clutching an ornate snakehead cane; its one eye a bright costume sapphire, the other, a tarnished cavity.

Ms. Simpkin had been Marie’s professor in her first-year writing seminar, The Palace Versailles, the previous spring. On the first day of class, Ms. Simpkin had arrived late, out of breath, large, and mummified in a floral, gauzy scarf. Their class had met in a tight, square, windowless room in the library, the walls the color of a hearing-aid, and the first thing Ms. Simpkin had uttered was that if a shooter came in, they’d all be killed. “You should demand more for your money—or your parents’ money,” she’d told them with a wicked chuckle.

Now it was late June, and Marie could barely recall how exactly the lunch had come about. She must have arranged it near the end of the term. She must have approached Ms. Simpkin after class and, in a surge of daring and career-mindedness, encouraged a further meeting. But had Ms. Simpkin suggested a meal off campus and the particular date? Marie could not recall any kind of back and forth. She felt funny about it, and all summer, she’d jailed the lunch inside a thick blue circle within her calendar notebook so that she could forget about it until the time came. 

Circumstances forced Marie to be a meticulous calendar user. She had three part-time jobs and an active social life. The previous night, she’d been drinking at El Cantinero with her friend Will, a screenwriting major. For a few months, Will had been crushing on the handsome older man who tended bar there, and though it was beyond Will’s current powers to draw the bartender’s interest, Marie and Will made a game of studying the bartender’s words and mannerisms for signs of hidden affection. For her services, Will bought Marie as many Blue Hawaiians as she wanted. It was 2009, Marie was nineteen, and Blue Hawaiians were the only drink she was sure she liked. She drank five that night, as well as three large glasses of water, and she and Will were the last people to leave the bar at four in the morning. 

And in three hours, after her lunch with Ms. Simpkin, Marie would need to report to her dorm for her overnight R.A. shift, where in exchange for summer housing and ten meals a week, she served in an on-call rotation, minding the other students staying in New York over the summer completing unpaid internships and taking extra classes. The position also required Marie to work thirty hours a week at the university housing office. In addition, she cashiered fifteen hours at the Union Square Barnes and Noble and babysat for a Tribeca family on Saturday afternoons and Tuesday nights. Although Marie considered the babysitting the least impressive of her jobs, she enjoyed it most. It got her out into the city and into an interesting lofted apartment—her possible future!—and the two little girls weren’t the spoiled monsters Marie’s mother had told her to expect. 

*

Daria had seen something in Marie, a little talent, but now whatever she’d seen did not seem enough to warrant this outing. A haze of pity, directed at Daria (!), floated on the edges of the large-chested girl, who was chattering gently about her sibling structure back home in “Delco.” Marie was the eldest apparently, and Marie thought this meant something, although she faltered at saying so directly because, Daria intuited, Marie didn’t know what it meant, and staying one step away from the meaning allowed the meaning to be more mysterious. If the girl wanted to be a writer, she’d need to overcome that. They waited for the light. Daria checked the clasp on her dark floral carpetbag. “What about you?” Marie asked. “Do you have siblings?”

“Siblings?” Daria hollered. “Yes, yes. Two brothers and a sister.” To be kind, she added, “I’m the eldest.”

Marie smiled knowingly, knowing nothing. Not for the first time Daria scolded herself—she could not continue to use her heart to make all her decisions.

Daria was sixty-four, a contract faculty, and lived in a one-bedroom apartment in Brooklyn. She had moved to New York in 1965. Initially, she’d worked as a magazine copy editor while earning her master’s. She stayed and stayed, working and working and writing novels that never sold. In her chic way, she’d scorned marriage, children, and large single houses. She’d seen so much! So much! 

A whoosh from a too-close bike startled them both, and too soon, Marie asked, “Do you have any animals?” wearing an indulgent smile, and Daria wanted to whack the girl with her cane.

*

Inside the tavern, they were seated in a tall booth in a far, dark corner where Ms. Simpkin immediately ordered a burger deluxe and an unsweetened ice tea, and Marie said she would have the same as her friend. Her friend—Marie had known the phrase had been the wrong choice as it was leaving her mouth, and she kicked her inner self for saying it. She had become more nervous since sitting down, and she found only a smidgen of relief in that Ms. Simpkin seemed too preoccupied sighing and arranging her large handbag on the booth cushion to notice what Marie had said.  

Middle-aged men in pale blue dress shirts, the sort of men who looked to Marie as if they ran before work, filled the tavern’s tables. They ate easily and spoke assertively to one another like they had all the time in the world. Opposite Marie and Ms. Simpkin was an enormous black-and-white portrait of O. Henry, his handlebar mustache as long as Marie’s plastic straw. Marie felt glad to see the portrait; she would use it as a conduit to bring up the writer, as Will had advised her to do at El Cantinero. Will had been a student in The Palace Versailles too. He was from Connecticut and his parents worked “in the city,” so he knew that O. Henry had written his short story “The Gift of the Magi” at this very tavern. 

Will had also said that if he were Marie, he’d cancel with Ms. Simpkin. “Agreeing to it was a moment of temporary insanity,” he explained to her. “You’ll never see Ms. Simpkin again anyway. Thank god. It really doesn’t matter! Just email her and say you’re sick and come back to my apartment and have a sleepover with me.” For reasons she hadn’t quite worked out yet, Will’s insistence that the meeting “didn’t matter” irritated Marie. 

Marie had stopped by The Strand bookstore that morning to read “The Gift of the Magi.” She chose The Strand because she felt clumsy inside the Barnes and Noble when she wasn’t working. She had not felt that way before she’d worked there. In the same way, she avoided certain streets in Tribeca when she wasn’t scheduled to babysit. 

*

They were discussing Michael Jackson, who’d died the previous day. Ms. Simpkin took the top bun off her burger and tucked it inside her napkin, then proceeded to cut and eat her burger like a steak. “Michael adored Versailles,” Ms. Simpkin said. 

When Marie mentioned the pop king’s child abuse allegations, their budding conversation immediately deflated. Ms. Simpkin sighed with gloomy concern. 

To Marie, the teacher seemed equally irritated by her bringing up Jackson’s errors as she was by the errors themselves. Fazed, Marie gestured feebly to O. Henry’s portrait, hoping to redeem herself. She told Ms. Simpkin that she liked the line in “The Gift of the Magi” about the tiny mirror hanging in the couple’s apartment, and quoted: “A person could see only a little of himself at a time.” Daria, pleased and touched by the girl’s preparatory instincts, responded kindly. Daria felt better about making time for the lunch—she would bestow upon the girl some valuable advice after all.

After a final bite of dry patty, she said, “I’ll be frank with you, Marie. If you truly want to write, you should leave New York. Keep your overhead low.” Marie dipped her fry in ketchup, smiling and nodding politely. 

“You don’t believe me. But a girl like you won’t be able to do both. You think your thoughts and your feelings are unique, but they’re not, especially here, and what will happen is your peers with more means will get those thoughts and feelings down before you.”

Marie’s eyes froze blankly. Her ears felt stuffed with cotton.

Daria continued, “Then more girls will come, younger and younger than you, and your experiences will feel older and smaller and more overdone.”

*

Later, on the train home, Daria forgot nearly everything about the lunch except her own magnanimity and the girl’s tepid responses, especially during the latter half of their meal when Daria had given the girl some tough love. Marie, Daria contemplated, might not have been ready to be given such sincerity, but Daria felt no remorse: her gift would remain inside Marie and deny her the delusion that nobody had warned her. With a sense of calm and self-satisfaction, and feeling that twinkle of purpose that never lasted long enough, she folded her hands over the carpetbag perched on her lap and enjoyed the skyline view as the train crossed the East River.

Meanwhile, strolling down Broadway back to her dorm, Marie checked her phone. Will had already texted four times: 

How’d it go??? 

I can’t get out of bed

Could I still be drunk??

Tell me everythinggg

Marie’s first instinct was to call Will right then and tell him about the unfortunateness of the impromptu meeting beside Gramercy Park and the long, dragging walk, and the almost-getting-hit by the bicycle, and the prettiness of the tavern’s tin roof, and a few of Ms. Simpkin’s odd comments about this and that. But when her mind reached the part where Ms. Simpkin gave her the writing life advice—the part that would be of most interest to Will too, she supposed—a mixture of protectiveness and self-consciousness strained her. She could, she thought, share what Ms. Simpkin had said, leaving out its specific application to Marie’s own situation. 

Marie veered to the side of the sidewalk and leaned against a brick wall between two shops. People appeared, disappeared. Buses, shouts, small and large dogs. Long columns of gold light reposed in charming delicacy across the building ahead. Marie felt significant in this atmosphere of significance. She fell into a premonition of Will’s reaction to Ms. Simpkin’s advice. She heard his blithe laugh, his oh-my-god-no, and then, his voice becoming a little more serious as he actually considered what their former teacher had said. Will could be serious when he wanted to be. 

He would say something like, “She might be onto something,” then quickly dismiss it again because he could, because he could “never leave New York,” and Marie would agree with him, “of course.” Marie leaned forward; the rough brick was scratching her neck and the backs of her shoulders. A small woman with an enormous Saint Bernard climbed the steps of a townhouse on the street parallel. Once she and her canine were inside her door, Marie imagined what else she might say to Will. Perhaps: “Promise me I’m not going to end up like Ms. Simpkin!” and Will would assure her, no, no way, never, and Marie started forward, feeling their harmony lifting her and levitating her heart into her eyes so they shone like that charming light as she strode ahead. One saw these young women all the time—coming, going, the knowing far back behind their eyes, then rushing forward at unexpected intervals, like a cool draft entering a house, dropping the temperature before departing again in some mysterious way. 

Fictionissue 30Samantha Neugebauer
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AXOLOTL BY ANTHONY GOMEZ III

Tuesday, 18 July 2023 by Anthony Gomez III

When wildlife conservationists released a dozen axolotls into the waterways in an abandoned town not far from Guadalajara, they were surprised to see the pink salamanders swim within the water for less than a minute. The endangered creatures jumped out of the pool on their own.

Eleven of them moved to the side and chose to die rather than learn to live again in this human-created habitat. Their smiling mouths stayed that way as they flopped along the dirt. Meanwhile, the last survivor came out of the water. It regarded its dying friends and marched down the road. The conservationists could not explain what was happening, but this last axolotl popped into a stranger’s home and, though they later tried to find it, they could not. The attempt to save the species was deemed a disaster.

*

Some years ago, on a flight from Tokyo to Guadalajara, I gave in to the cardinal sin of air travel—I spoke to a stranger. In the middle of the flight, when all those around me were asleep, I saw a slow set of tears fall from a Japanese woman’s eyes and disappear into her jeans. Hours to go, the short aisle between us was an insufficient chasm. I could not ignore the scene. So, I asked her what was wrong, and she confessed in carefully selected English that she was on her way to bury her son.

“But I’m not blaming Mexico,” she pleaded, as if I thought she was the type to blame a whole nation for a single incident. “He loved the country and the cities. Never had a bad thing to say.”

“What did he do there?” I asked.

“He learned to cook. He studied the cooks in the kitchen and the cooks in the home. Always, he said, Mexico produced the greatest food. He wanted to know why; so, he moved there the moment he became an adult. Would have been three years in a couple of days.”

“I think I would agree with his assessment. It’s a wonderful food culture.” The way I said it, with a remove and a distance, must have exposed my relationship to the country as also removed and distant. She had a wrong initial impression.

“Oh, I’m sorry. It’s terrible. I assumed because of your being on this plane and your…your look…you were from there.”

“I have family and friends I visit in Mexico. But no, I’m not from there.”

“It’s terrible of me,” she said. “I could have asked. I’ll…I’ll do that now. What takes you to Mexico? Those friends and family?”

“A cousin of mine passed away. One minute Alfonso was talking, then someone noticed him stutter. His heart was giving out. Then, it did.”

“Seems the airline put the grievers together.”

I looked around. We were the only ones awake. She might have been right.

“Weird, isn’t it?” she wondered, aloud. “To be on a flight to claim a dead body? I have never been to Mexico, and the moment I go it’s because I am on my way to see to my son’s death.”

Strange way of putting it, I thought, but she was right about it being weird.

Alfonso was a favorite cousin, an adult while I was a teenager and a teenager while I was still a child. Separated by less than four years, our minor gap in age nonetheless left him wiser and more experienced. When he was around, I ran to him for the sort of advice one is ashamed to steal from parents. He was dead at thirty-two and it seemed I’d lost a lifeline. Navigating a future without his guidance left me feeling adrift.

“We don’t need to speak about our dead,” she said. “One should remember them while one is happy to remind oneself they’re gone, or when one is sad to remind oneself of what one had.”

If that was true, then which emotion was she experiencing? What attitude toward her son possessed her that she preferred to think or speak less about him?

“Did you enjoy Tokyo?” she asked.

“It was a disaster of a trip, I’m afraid. I never saw it.”

Disaster was an adequate term. After a fourteen-hour direct flight, I’d landed in the airport, found the exit, and noticed on my phone’s home screen a long list of missed calls and texts. I sighed as I listened to each voicemail, and as I read each text. All of them were variations of the same sad news. I went to the bathroom, found an empty stall, and started to cry. I let that pass and then found a flight out.

Nine months of planning and fighting for this trip fell apart. It was a fight to get the time off from my data entry job, the courage to do it, and the money for two weeks abroad saved. While the first requirement wasn’t initially approved, a set of company layoffs I couldn’t escape made it all possible.

I booked the trip for no purpose other than a want to get off this continent. I suppose what I wanted more than anything was to go somewhere I could be lost, where I did not speak the language, and where I did not possess an overshadowing familial history dictating each sight or town. My journey was to see how I would adapt to a different culture—and if I could. When I called Alfonso to tell him about the trip, he described his favorite film Ikiru and said I should search out locations from the film. I didn’t bother to argue most of the film was shot on soundstages. I replied that my knowledge of Japan came from horror films and books by Ryū Murakami and Yoko Ogawa. None of those, I prayed, were accurate precursors to my trip.

Alfonso had not traveled much within Mexico, or outside of it. But there was one story about Japan he could share. He once heard reports of travelers who visited. The first Mexicans to the country reported arriving on the land, journeying from one place to another, town to town, until suddenly, they were unable to continue along a path. Blocked by a wall which could not be seen. Some claimed the wall was the product of spirit. Some said the travelers brought this fate over, and others said it was a uniquely Japanese magic. They learned there was one solution. Secrets could bring the walls down. The travelers had to give some truth about themselves up, else their journey was over, and they had to return home.

“Did they give up a secret?” I asked Alfonso.

About to tell me, Alfonso stopped to laugh, and suggested a different ending: “Would you?”

I did not explain my relationship with Alfonso to her. No, she wanted to get away from grief. We moved on to different topics with ease—like a spell had fallen upon us. So few people in life make conversation easy and pull from your soul the language and books and narratives you want to share. I almost lamented losing her to the nation once we landed. Even now, for comfort, I can close my eyes and imagine her listening as I confess my troubles and dreams. On that plane, in hushed voices so as not to wake anyone, we ceased being strangers.

As we landed, there was one final ritual to perform, one I nearly forgot.

“It’s Song Wei,” she said.

“Sorry?”

“My name. All this time and we never asked each other for our names.”

Of course, something as wonderful as a song, as music, defined her name.

“Mine is Carlo.”

The lights rushed on. Passengers quivered from the sudden transformation of noise and energy, the attendants raced down the aisles, they reminded us of the rules, and we prepared for landing. An orchestral track played over the speakers. Slow, it nonetheless had a familiar quality. Bernard Herrmann? They had to be joking. The score belonged to Hitchcock’s Vertigo. Its eerie sound continued after we hit the tarmac and as we exited the plane.

*

Taking care of Alfonso’s relatives, hearing them talk, and listening to plans for the funeral throughout the day took a lot out of me. That first day, I fell asleep early and easily when I returned to the hotel. By my third day back in Guadalajara, I had adjusted to the time difference and managed to stay awake long enough to enjoy a drink at the hotel bar. I sat across from the bartender, whose long and curly hair bounced as she prepared drinks. After finishing my cocktail and paying my tab, I crossed the lobby to the elevator, and suddenly there was Song, her arm wrapped around a man’s. Dressed in light linen, he looked local enough, while Song Wei wore a blue floral summer dress. We locked eyes, and she waved without an interruption. She hoped to see me later. At least that’s how I interpreted it.

“Excuse me.” I returned to the bartender. “There’s a Japanese woman by the name of Song Wei staying here. If she asks or if she sits at the bar, could you hand this to her?” The bartender nodded, her curly hair falling into her eyes.

I left a note with my name and a suggestion that Song have the concierge call my room. Including the room number felt too intimate, implicating myself as interested in only one thing.

Upstairs, in bed, I mentally reviewed the look the man on Song’s arm had given me. In between these thoughts, I wondered if the bartender would know Song from all the guests in the hotel and if the note would ever be delivered. To my surprise, an answer came at four in the morning. The hotel’s telephone rang. I put the receiver clunkily against my ear.

“Carlo?” Song asked.

“It’s me,” I said through a mistimed yawn. “I saw you earlier and thought if you’d ever like to talk—”

“—Yes,” she interrupted. “I’m in the hotel bar now.”

“Now?”

“Yes, it’s not open, but I have a story to tell you.”

I must have yawned—an instinct from the hour—because she began to sound a bit more urgent.

“Please, Carlo, I do think I can trust you on this matter.”

Two in the morning, seven in the evening, or three in the afternoon. I would have come to her no matter the hour.

*

Down the elevator, through the lobby, and toward the bar, I passed the bartender who was mopping the floor. She smiled, but I missed her eyes because her hair fell over them again. I turned the corner.

Without people, the bar was anything but a marvel. Brown chairs surrounded three empty glass tables. Earlier, these were occupied by working businessmen and their laptops. The bar itself was a wooden platform with a golden top and a long mirror behind the bottles. Seven barstools fit along it. All but two were flipped up, and Song Wei was sitting on one. Her dress had a quarter-open back. Long, black hair obscured much of her bare skin. If others could see us, it wasn’t hard to fathom Their impressions: questions or snickers about the older woman and a man half her age gathering so late in a closed hotel bar.

Amber light from dusty overhead bulbs filtered the whole bar into filmic twilight. It had the effect of rendering her body as the one piece holding all of reality together. She leaned forward, and in the mirror, I could see her hands resting on the bar, one over one another, her eyes darting forward.

A few seconds passed before I said hello. She turned, and though she had invited me down, and though she should have noticed me in the mirror, she acted a bit startled. The following smile seemed an afterthought.

Her hands did not come apart, and as I came closer to take the seat beside her, I realized it was because her palms held the thin ends of a transparent plastic bag together. Water in the bag came up to half the length of her arm, and in it was a pink axolotl. The salamander looked away from both of us.

“I’m glad to have found you, Carlo,” she said. “I don’t know if I can trust anyone else. It’s not like I have friends or family here.”

I could have snapped back: What about the man? Two of you looked cozy enough.

I stayed quiet.

“I went to visit my son’s living quarters when we landed. Talked to his landlord. Talked to nearby neighbors. Talked to them all in a terrible Spanish that should have me arrested. He was such a quiet and professional man that they didn’t have much to say about his life, personality, or hobbies. All his friends were local cooks at nearby restaurants, and that is where he spent most of his time. I thanked the neighbors and was let inside. A spartan, my son did not seem to give dust a fighting chance. Not that it was hard, the way he lived. Books about food and notebooks filled with recipes were the only real sign a person lived there.”

The axolotl in the bag started moving. Small arms pushed against the bag’s bottom. With a large and wide yawn, it reminded me of the hour.

“I pored through the notes and the writing. My son possessed a variety of talents. Penmanship was not one. Recipes and ideas for dishes require an academic to translate his handwriting. I’m not one. All I have brought back are the legible notes.”

She pointed her nose down. The encouragement led me to notice a small dark purse on her lap. Not wanting to release her grip, she used her nose again to direct me to open it.

“Please, look at the first recipes,” she said.

I opened the purse. Doing so felt intimate. It was filled with banal clutter—makeup, tissues, and tampons—and I had to dig to pull out the papers. Two condoms almost fell out of the bag as I did so. Those did surprise me, and I wondered if she intentionally brought them to Mexico despite the trip’s despondent purpose, or if she always carried those around. I remembered the man on her arm from earlier and shivered to burst the bubbles forming in my loose imagination.

At last, I found the index cards and loose sheets. Most of the recipes described or listed the ingredients of common cuisines. Mole. Aguachile. Cochinita pibil. None of these were so unusual as to require physical study. As local and delicious as they were, these were familiar dishes—a mere Google search away for anyone interested in the nation’s culture. But then I stumbled on the second to last recipe. The poor script would render any interpretation uncertain, and it was difficult to make out what the writer described. All I could decipher was one word: axolotl.

The axolotl in the bag seemed to read my mind. When I looked up, both the amphibian and Song were staring at me.

“I have to ask you a favor,” Song started. A real sense of urgency stole her voice, as if my decision could save or defeat her life. “I found this axolotl in my son’s room. Please watch over it. You saw the card listing it as an ingredient. I must know what my son wanted to make, what he wanted to use it for. It’s the last way to understand him. And, already, there are others who want to know too.”

Song released her hands, and unless I wanted the water and Axolotl to splash to the floor, I had to reach out. With my right hand, I did just that, and caught the top of the bag as the water threatened to spill. My palm became wet. The axolotl swam back to the bottom.

“Thank you,” Song said. She placed both her hands over my left one, looked me in the eye, and said it again. “Thank you.”

*

Retreating to the room with the bag in hand invited stares from the few night-shift workers. Kind smiles and professional grins from earlier disappeared into accusatory scowls. What could I be doing with such an endangered animal?

Online, I researched how to care for the axolotl. I filled the bath a quarter high and placed the creature inside. I stood there and wondered what I’d gotten myself into. Song promised she would see me tomorrow night, when she had dug around her son’s house a bit more, and when she could confess more about her findings. But what did I know? Even now, I had not learned her son’s name, who that man was, or why she felt the need to turn the axolotl over to me. Not that I was in the practice of asking questions at the right opportunity. Wouldn’t most men have pushed back against a stranger—even one like Song—thrusting a responsibility on them? Wouldn’t most have wondered why a chef from Japan felt the need to cook the poor, endangered amphibian?

Back in the U.S., the axolotl is largely banned. The level of damage they pose to environments outside their own is catastrophic. I did not know if these warnings or legal boundaries applied to Japan. If so, was it the danger or exotic quality of the axolotl that drew in Song and her son?

There were other matters to attend to. In the morning, Alfonso’s mom wanted me to speak with a florist, and a caterer, and a priest to settle the ins and outs of payment. The outsider, she thought, might best negotiate the price. Terrible logic. All she wanted was me to pay. Alfonso, you bastard, if you weren’t my favorite cousin—

The hotel telephone rang. I wondered if Song forgot to mention something, or if she would maybe want to come here. But it wasn’t her. I picked up and sat at the far edge of the bed.

“You’re wrong if you think her son wanted to eat him.”

A woman’s voice? Strong and stern, it wasn’t familiar. The caller continued:

“Her son liked to cook and loved to study recipes, but he wouldn’t eat the axolotl, not after getting to know the little guy. He had common sense.”

From where I sat, I could peek into the bathroom. Over the tub’s edge was the axolotl’s tiny head and pink hand-like claws helping it to hang on. It appeared to eavesdrop.  

The caller continued. “Did you know axolotls were named after a god capable of breathing fire and lightning and regenerating its body? Believe it or not, an axolotl can still do two of those things.”

“I believe you.”

“You don’t sound so impressed.”

“I’m more curious how you know so much. How you know I have the axolotl? How you know about Song’s son?”

I rummaged through my luggage on the beside floor. The Death of Ivan Ilyich lay on top of my clothes. The book was the basis for Ikiru. Earlier, I planned to tell Alfonso I read it while in Japan. 

“Do you know how important axolotls are in Mexico? You don’t carry one off without half the country speaking about it. People talk. People gossip. And some people? They’ll fight to save the axolotl. Or they’ll fight to kill it. Song’s son attracted all kinds of attention with what he wanted to do. That card in his collection? It is only partly a recipe.”

“What was he doing, then?”

“Attempting to recreate their habitat.”

“Did it work?”

“Not at all. But at least he tried. His home resembled something between an aquarium and a mad scientist’s lab. They have one native habitat left back in Mexico City. Hey, you heading to Mexico City any time soon?”

“Wasn’t planning on it.”

“Well, if you do, drop him off in Lake Xochimilco.”

“If you’re so interested in returning him to the lake, why trust me—a foreigner?”

“Because it’s your choice. She entrusted the axolotl to you. The lake is on its way out, you know. Too much pollution over the years. Because the axolotl can clean it up, and because there are so few things in life like the axolotl that can erase a history of human error.”

“To be honest, it’s not that I don’t trust you, it’s that I can’t quite see how one axolotl is so important. All Song wants is—”

“—Song. Song. Song. Get your sex-deprived mind out of the gutter and listen to me. Unless you want Lake Xochimilco to dry up and die, you can’t give the axolotl to anyone. It’s your choice whether you get him back to the lake. Until you decide his fate, don’t leave him alone at all. And don’t let Song eat him.”

*

The caller promised she would call each evening to ensure both the axolotl and I were safe. Part of me liked having a discussion to look forward to—even if I didn’t understand it all. Since Alfonso died, I hadn’t talked in-depth with someone.

Well, except for Song.

Because of this lack of practice, I forgave myself for having lost the habit of learning names. The caller came and went without one. I had almost done the same with Song on the plane until she offered it to me in an equal exchange.

But names are important. They are spells unto themselves. Take Lake Xochimilco. In the language of the Aztecs, the name refers to a flower field. (And no, I didn’t just know that. I had to look it up.) My point is that the name—Xochimilco—endures to tell us what was once there. Even if the land no longer looks like that, even if time and evil corrupt the earth and prevent flowers from growing, Xochimilco reminds us of what once was there.

That wasn’t all I found. Unable to fall asleep, I scanned stories about the place.

Lake Xochimilco is the last of a beautiful water network that survives a history prior to Spanish contact. Colorful boats float along the water and gardens grow along these vessels to sustain a forgotten and beautiful agriculture. Once a common sight, the number of boats has dwindled, and the tradition has declined with the lake. I watched a video on YouTube of a farmer who explained the lake was a living and breathing being, dying by coughing its last breaths. The water turned black and wondrous gardens burned up. What was left was all that was left…

The morning came, and with it came the lightheaded hangover of inadequate sleep. But there was no time. I had to visit the florist to prepare the bouquets for Alfonso’s funeral. Unable to shower because the axolotl occupied the bathtub, I simply changed and dressed. I was halfway out the door when the stranger’s warning from last night struck my brain: don’t leave him alone. All I had was the plastic bag from yesterday and, as I transferred him over, I felt the need to apologize.

“I’ll find something more comfortable for you later,” I said.  

*

I walked through the town’s empty streets to a soundtrack of water slapping. Shuk. Shuk. Shuk. Holding onto the axolotl this way, I imagined that the bag would simply slip from my hands. Every few yards, I looked down, saw his smile, and felt relief he was alright in there.

After meeting the pastor and the caterer, I had one last task: ordering bouquets from the florist. Above the blue shop, a bright yellow aluminum sign was half faded, and the business name Flores looked to have been replaced green letter by green letter multiple times until each letter was oddly sized and shaped. On the window was written in white a common slogan: digalo con flores. Say it with flowers.

The inside was anything but falling apart. Black and white tiles looked new, and an art deco chandelier was touched by the sun, sending short shimmers of gold in the few open spaces between orange marigolds and pink dahlias. If Alfonso had a favorite flower, I had no clue. Who knows something like that about their cousin? Marigolds felt too stereotypically Mexican, and I didn’t want to choose a pink flower for a funeral. The florist ignored the axolotl, heard my concerns, and brought out several more plant types and said names I could not catch. The last one she brought out was purple, and she said the name in English: “Mexican petunias.” I agreed to it immediately and was happy to see that she could supply enough for the service. Not many people are interested, she said, and that surprised me given their beauty. Of course, once I paid, she told me the truth. Many in Mexico consider them a weed.

I decided to take a roundabout way back to the hotel, through dusty streets and over incomplete sidewalks. As I passed a bank a block away from the florist’s, I saw a familiar face leaving its entrance. He wore the same linen shirt as the man who held Song’s arm.

The man did a double take upon noticing me and seeing what was in my hand. He squinted to believe what he saw was real. That was all. I kept waiting for his attack, for a word, for him to rush and attempt to steal the creature. It never happened. I watched him move down the street, turn, and disappear.

Inside the bag, the axolotl’s pink face grew worried, as if it sensed what was coming, as if warning me. I was too loose, too carefree, too eager to see Song’s lover turn away. Suddenly, I felt my feet stumble—I had been pushed hard from behind. The bag never had a chance of being saved or held tight. Out of my hands it went, and by the time I regained stable footing, a puddle had melted into the ground. The axolotl flopped around.

“No!” I shouted.

Behind me, two men in wrinkled t-shirts ran forward. One knocked into me and started stomping hard. The other aimed a punch at my face. All I could do was fall to avoid being hit, and the attacker flew forward. The stomping man did not have much luck in crushing the axolotl. He resembled a rhythmless dancer. I stood and charged headfirst. Not much strength was needed—and a good thing because I don’t have it—to launch him back. He staggered into his partner, and the two collapsed to the ground. Their falling reminded me of goofy vaudeville akin to the Three Stooges. But this scene didn’t exist for me to laugh at. While the partners helped each other up, I grabbed the axolotl—a bit too roughly—and started running. 

*

How long could an axolotl live without water? The number was not something I had looked up, or something I wanted to discover. Luckily, I was not far from my hotel and, like a madman, I raced to the fire stairs for the third floor. In the frenzy and worry about reviving my friend, I did not notice that I never used a key to get inside.

The door to my room was already open.

Alone, I drew the axolotl a fresh bath, dropped him in, and relaxed when he dashed from one end to the next. I cleaned a large red lunch container that could replace the plastic bag and better hide him. Surviving the attack evoked my mystery caller’s warning: some people will fight to kill it. I wondered if Song had already cracked this mystery when she forced the axolotl into my hands. When the phone rang, it was the mysterious caller, keeping her promise.  

“Are you disappointed it’s not Song?” she asked.

“Only because when I see the axolotl, I think about her, and her son, and this man I saw on her arm. I saw him again.”

“She’s finding all those who knew her son.”

“To get to know him?”

“To know herself. She’s a biting and corrupting force. Part of that is because she’s lost her son, the other part is because when she had him, she took it for granted. She didn’t know how much she polluted the world with her sour thoughts.”

“Isn’t that just grieving? You judge so harshly when the same can be said about me. I lost my cousin, Alfonso, and when he was around…well, I didn’t always realize how important he was to my life. Are my opinions polluting the world?”

“Oh, yes,” said the voice. “And it’s terrible for the environment. Think ill of life and eventually you make life around you sick. You begin to lose sight of what’s important. You begin to forget who you are. You begin to lose your name and the names of others.”

“I keep forgetting to ask for names.”

“Would you like mine?”

I paused. “I don’t deserve your name now because I think…I think I’m sick, if I follow your definition of illness. I think about my cousin who passed. I don’t know what life will be like after the funeral tomorrow. That puts an ending on things, and I’m not like Song. There’s no mystery to unravel. He simply died while I knew him—knew him better than anyone.”

I worried the caller had hung up because the line was too quiet. All I heard was the wave of bath water from the axolotl swimming around. Then, at last, the caller’s breath.

“You’ll remember,” she started, “that there is a tomorrow. Each time you close your eyes, you will get closer to it. Until then, your thoughts are harmful. Remember that.” With that the line was disconnected.

A peace existed in the idea of a tomorrow without the sting of grief. But I also remembered how quick of an intimacy grief inspired on the plane, when Song and I overshared thoughts this caller might classify as pollution. Believing in the caller became much harder when there was a power to sustaining grief, and a time for it.

I didn’t want to leave the axolotl alone to head to the bar or take him away from his happy place. I regarded his smile as a reason to keep my promise to protect him. I ordered a mezcal sour to the room. Before long, there came a knock, and the barwoman handed me the cocktail. I watched the woman leave. There was a couple at the end of the hall. They were embracing, holding one another close, and when they kissed it was as the last step in a procedure. Now they could stumble inside the room. The woman, while I wasn’t sure, looked like Song.

*

Song was immune to normal, waking hours. She came to my room exactly twenty-four hours after our meeting in the bar. She marched straight in and looked toward the bathroom.

“The axolotl is alright?” she asked. She watched it swim back and forth. “Workers in the hotel told me you had quite the scare.”

“Two men attacked me and tried to take him.”

“Word gets out when it comes to these strange things. A woman at the bar told me she saw you run inside without the bag and I…I guess I worried.”

“You couldn’t be too worried,” I snapped. “To come at this hour. To not even ask about my state.”

“I only heard the story a few minutes ago. I was preoccupied until then.”

“Bet you were,” I let slip, succumbing to a jealousy I had no right to claim.

“What’s that supposed to mean?” Song cried. “I am searching for something my son uncovered, something to bring me closer to him in this foreign place.”

“Maybe…” I sighed. “Maybe I just didn’t know that watching the axolotl was going to invite some people to attack me—and it.”

“My son wrote in his notes that the axolotl cleans the world. It eats the very things that poison humanity. For some, it’s easier to see the world suffer.”

“And yet, you still want to eat it? I heard your son wanted to save it. He tried to build it a habitat. He tried to—”

“—My son wanted to eat it…and…I am close to understanding my son. Another day. I promise Carlo…I promise it’ll be worth your while.”

Song did not stay over. We did not collapse into the bed as I imagined she’d done. She simply hugged me close, and in that embrace I felt strange. Intermixed with a lust for her I recalled the longing to speak with Alfonso, to share criticisms about life, and simply laugh.

*

I brought the axolotl to the funeral. What else could I do? Dressed in a black suit, I must have seemed a strange sight with the red container like a toy in my grip. However, the guests, perhaps simply polite, never said a word as they passed me, apologized for the loss, and regarded Alfonso’s body at the far end of the church. The exception was Alfonso’s mother, who asked to look inside the container. She smiled when she saw the axolotl’s smile, and confessed a truth:

“The axolotl is named after a god. In some stories, this god guided people to Mictlān—the underworld.”

I didn’t ask her what happened there because we were summoned forward. Alfonso’s funeral began.

*

My hotel room was trashed. Did I expect anything different? Sheets thrown to the ground, the bed torn apart, my suitcases searched and clothes everywhere. Books open, laptop gone, even the lint from my jacket inspected. I was thankful they had left my passport—stealing was not their goal. I should have hurried out, except I knew the axolotl needed to breathe again. I had brought new water to the tub and did not want to risk removing him too soon. I shoved the dresser near the door for security and waited out the rest of the day.

The female stranger’s call came in that short hour before evening.

“Everything is heading toward ruin,” I said. “Someone searched through my room!”

 “Your thoughts!” she cried.

“All this for a single, damn axolotl?”

“Didn’t you hear me? They’re important to the country and its history. Some people will—”

“—Yeah, yeah. Some people will fight to kill it. They’re not so innocent. They’re banned back home in the states because of the environmental danger they pose. I’ve had enough of your warnings. I’m tired of strangers attacking me for carrying him around. I’m tired of not having help. I’m tired of a stranger calling me.”

“Control your thoughts.”

“What is that doing? Nothing I think will kill the lake or the axolotl or even me. What’s there will be there tomorrow, and if it’s not, it won’t be my doing.”

“I can’t speak to you if you’re like this. You’re twisting my words.”

I sighed. It calmed me. Alone, I didn’t want to lose this companion too.

“I’m sorry.”

“You remind me of Song.”

“Remind you? Earlier you mentioned her son, and you talk about her like…like you know her well.”

“Do you still trust me?”

“I just want less mystery. Everything in Mexico so far is mystery after mystery.”

“That’s life for you. Take Song as a warning. She’s disappeared into her thoughts and that made her disappear into others. She needs another’s touch to remember reality.”

“She told me the best time to remember someone is when you’re happy or sad.”

“She’s wrong. The best time is when you need to.”

“All I know is I saw her again in the arms of another guy.”

“There’s nothing wrong with love. There’s something wrong when it’s used to distract from the pollution you’re creating.”

I closed my eyes. Lake Xochimilco came to mind, and I pictured colorful flowers decorating boats slowly skimming along the surface. As the scene played out, the ship broke down, the flowers lost their color, and the lake its water. Left was waste and sewage and dirt. Flopping in this disaster were several other axolotls. If I opened my eyes, then the sad state of the lake would have convinced me of the caller’s wisdom. But I didn’t.

The scene continued to unfold. Alone beside the lake, I pictured myself leaning over its edge. The waste and sewage vanished. Water started rising. The floating gardens returned. And soon, the water’s deep hue reflected my face.

Song’s son wanted to recreate the axolotl’s habitat, the caller had said. Achieving the goal would have given them another chance for survival. It didn’t work but he tried, and that was the beauty of it. Song may have been wrong for simplifying her son’s ambition, wrong for ignoring how he aspired to heal a piece of the world, but the caller was just as wrong for pushing me to focus foremost on the disasters we humans create. Some may want to kill the axolotl, but some—the caller said—would fight to save it.

To hell with both of them—I decided—I was going to save it.

The caller said nothing else. She hung there, her breath audible until it wasn’t, until she hung up.

*

Song came again at four in the morning. A large grin stretched across her face, and she held up an index card filled with neat Japanese script—her own hand. In this state of enthusiasm, the room’s mess never crossed her mind.

“I spoke with another of my son’s friends. Through them, I was able to comb out what my son wanted to make with the axolotl.”

Her voice grew increasingly excited. Her plan was becoming complete.

“I also spoke with the hotel. They agreed to let me use the kitchen. Come down in thirty minutes with the axolotl. Everything must be fresh.” She squealed like a child and hugged and kissed me on the neck. Days ago, I would have been relieved to see Song take the axolotl, to have felt myself thrown into the game of chance where my desires might be met with reality. Instead, I watched her leave and was even sadder.

I waited in the room, watching the thirty minutes shrink on my phone’s clock. I don’t know why I waited as long as I did. Did I expect the stranger to call me? She never did. I picked up the hotel phone to request a car from the concierge, as fast as possible.    

*

I never heard from Song. I wondered what thoughts crossed her mind as I betrayed her wish. Perhaps failing at the recipe, being unable to cook the axolotl, made her feel closer to her son. I never heard from the other strange woman, though I glanced often at my cellphone, half-expecting to read unknown caller on the screen. I would smile because I knew otherwise, because I knew I would lift it up and hear her again. That vision never transpired.

I drove to Mexico City and chartered a bus to take me to Lake Xochimilco. When I stepped off the bus, the air was cool, refreshed by an earlier rain. Sad-looking trees swayed away from us. The sight resembled what I saw in the video: beautiful but vanishing.

A man I recognized stood at the edge of a short pier. It was too late to retreat. I tightened my grip on the axolotl’s container. Dressed in a white linen shirt, sleeves folded high onto his arms, he regarded me with equal familiarity.

“I recognize you,” he said. “From?”

“From a hotel outside Guadalajara. You were on the arm of a woman I met. I saw you again near a bank.”   

Instinctively, my arm came halfway across my body, reliving the suddenness and survival of the earlier attack against me. He waited for my anxious energy to slow before continuing.

“That’s some memory. You saw me on the arm of Song?”

“Yes.”

“Well, I do remember your eyes—jealous and mean. You loved her?”

“I didn’t know her. Actually, I just met her days before.”

“She was a strange woman. It would be easy to say yes. Even, as you say, without knowing her.”

“And you hardly knew her?”

“She was the mother to a friend of mine. He was a curious fellow. Came from Japan and swore he would learn all the recipes of Mexico and perfect them and study them and bring them back to Japan. He was a hell of a cook. But he stumbled on an ancient recipe from the old world. Axolotl. None of his friends wanted him to cook one. He believed it worth trying. Where would he even get an axolotl, we wondered? Well, turns out at his front door. He found one that had escaped from a failed sanctuary.”

“I kept hearing he didn’t want to cook him, that he had other plans.”

“You’ve got it. That’s what happened. My friend changes his mind. He swears he won’t cook or eat him. He swears he’s looking into a way to save him. There’s just one place for him, though. Here, at Lake Xochimilco. Axolotls don’t have a natural habitat beyond it.”

The lake spread before us. A yellow boat floated along, and a worker on board put the tips of his fingers to the surface. Tiny ripples dragged along. My new acquaintance continued the story:

“I told her what I knew, but Song did not believe her son came to this conclusion. She liked to think he was simply a cook, not someone caught up in the world’s struggles. Completing the recipe might just…I don’t know…I don’t know what she expected. I have to confess; I watched the axolotl after his death. Yet she found me, and she took me to bed, and convinced me to surrender him to her.”

“What happened?”

“She woke one morning, and I remember her crying about her son. I never felt worse for sleeping with my friend’s mother than that moment. She cried and cried. The water fell to the floor. But here’s the thing, I tried to hug her, to help her, and couldn’t. The room around me looked like this lake a hundred years from now. Tainted. Gone. Everything became dust. She ran out with the axolotl. When I saw her again the following day, she was almost a different woman. She looked at me the way one might upon the world ending. Do you think she could move past the heartbreak of her son dying?”

I paused. “I think she’ll have to,” I said. “A stranger recently told me enough disaster, enough pollution in the mind, can destroy one from the inside. I’m learning the same is true for me and my loss.”  

I would be heading back to the U.S. soon. No job and no story about Japan and no cousin to call when I needed.

I opened the red container, lifted the axolotl carefully, and released him into the lake. Not a moment passed before he disappeared beneath the dark water. I stood watching, and after some time, the man shook my hand and left.

Boats passed. The moon came out of hiding. Under its glow, the lake and its floating gardens already looked that much greener. I stayed watching. Not because I thought the axolotl would return, but because I realized I had never felt so alone.

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MOTH by Cary Holladay

Thursday, 15 November 2018 by Cary Holladay

Augustus Gwynn: Gus Gwynn, drop-dead handsome, running on hot. When he was forty, wrecked and ruined, he was irresistible.

The problem, he said, is I’m in my head all the time.

Women loved that. And he always looked like he’d just killed somebody. They loved that too.

So, his mother. When he was forty, they started talking. She laughed a lot. Her teeth were jewels in her head.

You get older, she said, your style changes. I didn’t exactly go in the direction of truth and beauty. Your father was unfaithful, and I went to one of them and cut off her finger.

They were peeling potatoes for soup.

Ha ha, she said. Is this enough?

It’s enough, he said.

There’s something of the Italian ice-seller in you. That black hair. It’s my side of the family. Gus?

What?

When you were young, we lived in the woods. We were starving. Remember?

He didn’t.

It was when your sister was a girl. Your father set a trap to catch an animal, but he caught a person instead. And we ate him and burned his clothes. You don’t remember?

I told you I don’t.

The potato soup was ready, boiling on the stove. She poured it into bowls.

Going out, he said and plunged out into the alley.

O Mother

O Mother

Steep cobblestoned streets, strings of white lights twined in the nighttime trees, some festival going on. Part of the city was for show: crenellated towers, alligator pits. He didn’t remember much about his sister before she’d become a boy. He’d known his father was a rogue. A total rogue, his mother used to say.

Why not? Why not a tattoo?

Why not.

It hurt—needles, caustic ink. The artist got as far as M O T H and was leaning in to sting an E on him when memory struck like a mudslide. He leaped off the reclining chair and ran pell-mell into the street. Sprinted uphill to the house where his mother was washing the dishes. Panting in the doorway, he gripped his bloody arm.

I remember living somewhere it was always dark and there were hippies next door, he said.

That was it, his mother said. We ate a hippie.

***

He married one of the women who used to love him, and their house was like everybody else’s, with money hidden so well they’d never find it, and their heads bursting with passwords.

I was a man on fire, he liked to say.

Gus, people said. Gus, finish it. You only need two more letters. Turn Moth into Mother.

I can’t, he said. It hurts too much.

All the women, the back-and-forth of love, had caused some deterioration. Still the tigery tensile spirit was alive in him. All over town, women raged at their men because those men weren’t him.

Things reminded him of things.

I felt like, he said.

Like what? his wife said.

I just  . . .

The story was set in his heart. If he made it into a movie, it wouldn’t need sound. He thought about that sometimes.

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WHITE FLAG by Leah Browning

Thursday, 15 November 2018 by Leah Browning

She wanted to be like Elizabeth Taylor in Butterfield 8, beautiful and world-weary, but it seemed that Elizabeth Taylor in Who’s Afraid of Virginia Woolf? was more her style: half in the bag and walking around the kitchen late at night eating a cold chicken leg with the refrigerator door hanging open. She, too, had gained weight for the role of a lifetime, and her husband, like Richard Burton, was bitter and past his prime. They continuously circled each other, competing for the upper hand.

It was a mistake, she’d always thought, to marry someone from the same department. They’d both been tenure-track when they met, but they’d gotten full professorships a year apart, and it had almost destroyed their marriage. Still, they’d powered through. Now they lived in a gorgeous red-brick townhouse with bay windows, an enviable record collection, and a pair of chocolate sable standard poodles called Faust and Tosca.  

It was late fall, when the outstretched arms of the trees were bleak and naked and the wind was audible even indoors. Leslie had been languishing at home all night, nursing a cold, while Lionel spent the evening at the university, carting around a guest lecturer from Bucharest whom they’d managed to coax out of Romania. Leslie was furious. It had been her idea to invite him in the first place, and it had taken months to get Lionel on board. She was the one who’d made the phone calls, written the letters, gotten the funding. All so she could spend the evening holed up in bed with a box of tissues and a book she felt too sick to read.

The doorbell rang. The dogs careened from the bedroom as if they’d been shot out of a cannon.  Lionel must have forgotten his keys again.

Leslie sighed, a long-suffering sigh. She left her wineglass on the bedside table and took her time getting up. Let him wait.  

The dogs were at the door, quivering, barking like maniacs. Lionel had promised to train them, or at least to have them trained, but he never had. He was out on the front porch, champagne bottle in hand.  

The Romanian scholar had been taken out for drinks and deposited safely back in his hotel room, but Lionel wasn’t ready to call it a night.  He’d brought home a pair of graduate students he’d taken on a study trip to London the previous spring. He introduced them with his free hand: Lithe Something and Tall and Gorgeous Somethingelse. They were both in their twenties and wearing short, tight dresses that showed off their long legs and impressive cleavage, and when faced with their professor’s wife at home in her pajamas, they at least had the decency to look sheepish, even if Lionel didn’t.

Lionel sat the students down on the couch and disappeared into the kitchen, and Leslie put on a record to cover the silence. Before they knew it, he was back with champagne flutes and a box of water crackers. He pushed the magazines fanned across the coffee table out of the way and set everything down. Leslie was the one who always roasted the figs and arranged the cheese board, so she wasn’t surprised. Without her, Lionel was utterly helpless. She perched on the arm of a chair and shook her head, amused. He hadn’t even remembered a plate.  

No matter. He removed the foil from the champagne bottle and tossed it aside.  The dogs batted it across the floor. He eased off the wire cage and theatrically popped the cork, making the girls squeal. Champagne foamed out onto his hand and across a copy of Architectural Digest before he could reach the glasses. He’d had too much to drink already, Leslie could tell, but he was handing out flutes of champagne one second and going back to the kitchen for a bottle of Riesling the next. He was nothing if not an overachiever.  

This time, at least, he brought back a corkscrew.  “Are you the single mom?” Leslie asked one of the girls. “Or are you the one who’s pregnant now?”  

She was only asking to be mean, but the taller girl said, “Janell is the one who’s pregnant. She couldn’t make it tonight. I’m the mom.” She looked pleased, as if Leslie’s questions meant that Lionel had singled her out. This somehow made it worse. The girl pulled a cell phone out of her bra and started scrolling through photos of her little boy, angling the phone so that Leslie and the other girl could see.  

Leslie didn’t get up from the arm of the chair. Her cold medicine had finally kicked in, but she pulled a tissue out of her pajama pocket and dabbed her nose delicately. “I shouldn’t get too close,” she said.  

“Don’t mind her,” Lionel said to the girls. “She’s not really sick.  She just likes the attention.” He poured each girl a glass of wine and sat down on the couch in between them.      

“That’s absurd,” Leslie said. She raised her hand and turned it over to reveal the ball of tissue in her palm. A magic trick. Evidence.

The single mom tucked the phone back against her breast and took a sip of wine.  

Lionel leaned back against the couch. “Would you like to see my first editions?” he asked—his idea of a come-on—and Leslie narrowed her eyes. Neither girl took the bait.        

“They don’t care about that,” Leslie said. “Look.” She whistled, and the dogs did a trick.  Dutifully, the girls clapped. Faust and Tosca returned to their posts next to the couch, bookending Lionel and his devotees.    

From the kitchen, the tea kettle whistled. Leslie rose hospitably and brought back glasses filled with ice cubes and tea bags and arranged them in a circle on the coffee table. When she tipped the kettle each time, the water was so hot that the ice cracked in the glass.

The record wound down, and Leslie didn’t replace it. She sipped her drink, relishing the silence.  

One of the girls asked to use the restroom. She walked down the dark hallway and left Lionel sitting next to the tall girl with the little boy at home.      

“Hello, Mother,” Leslie said from her perch on the arm of the chair. She leaned toward the couch, and Lionel and the tall girl shrank back a little. Leslie felt woozy from the combination of cold medicine and too much wine. She sank into the empty spot next to the tall girl, pushing them both over a little.  

The tall girl, caught in between, blushed. From the other side of the couch, Lionel shifted, putting his hand on her knee.         

He bent toward the girl, breathing what Leslie knew was his hot, boozy breath onto her, pretending that he was merely accentuating a point. He squeezed her leg emphatically.    

Leslie leaned in as well, smiling, and put her hand on the girl’s other knee. “Isn’t he bright?” she asked. “I’ve always thought so.”  

The girl leapt to her feet, pulling down the hem of her dress. She stammered as she made an excuse and fled. Hastily, on her way out the door, she whipped her coat from the hall closet. It took a moment for the empty hangers to stopped clicking against each other.    

“Well, bless her heart,” Leslie said. She shrugged and drank more of her tea. It wasn’t the first time this had happened, and it wouldn’t be the last.

When the other girl emerged from the restroom, Leslie offered to drive her home. The buzz from the wine had worn off, and she was no longer enjoying herself. She left Lionel to entertain this one while she went into the bedroom and stripped off her pajamas. At the university, she was famous for her clothes: every day last semester, she had worn vintage party dresses and heels.  

On her teaching evaluations, a student had written, “I can always hear her coming.”  

She put on a coat of lipstick and brushed her hair.  

They were already waiting at the front door when Leslie returned. The girl looked startled, unhappy, and she stood meekly as Lionel retrieved first his coat, then both of theirs.

Leslie took her time with the buttons and smoothed her hair over the collar. “Ready?” Lionel asked. He twirled a ring of keys around his finger.    

They took their places in the car, with Lionel and Leslie in front and the girl buckled in the back seat as if she were their child. Lionel started out strong but then he grazed a mailbox and lost his momentum. He was the ice skater who falls in competition and can’t quite regain his confidence. He hit another mailbox, then a tree.

“Just a minute, now,” Lionel said, but the girl already had her door open. She was halfway out of the car when he threw it into reverse and tapped the gas. The girl fell onto the grass. Lionel braked.  “Are you all right?” he asked, easy as you please, but the girl didn’t answer—she was limping and in heels, but still, she ran away as best she could, a wounded deer.

“Well, you’ve lost another student,” Leslie said. Lionel didn’t answer. He wasn’t interested in learning any lessons.    

The wind blew against the windows of the car. Leaves swirled around them. Leslie unbuckled her seatbelt and got out to close the girl’s door again. When she returned to her seat, they backed away from the tree and drove home.      

Lionel unlocked the front door. Inside, the dogs were on their cushions, and they raised their heads but didn’t get up. The lights were still blazing in the living room. Lionel surveyed the wreckage. “We should open another bottle of wine,” he said. “What do you think?”  

It was late, and Leslie had grown weary of playing Elizabeth Taylor. She wasn’t in the mood, tonight, to lose her mind or drive off a cliff.    

Coyly, she turned the pockets of her coat inside out to show him that they were empty: no tricks.  She tucked them back in and then produced from the empty pockets two clean white tissues. She waved them in his direction like flags.  

Lionel shook his head, bored. He parodied a mocking clap. But then, at last, he surrendered, too. He sighed and rolled his eyes and kissed her, and turned off the living room lights and took her to bed.  

 

FictionLeah BrowningShort Story
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  • Published in Issue 14
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HEARTWOOD by Rose Skelton

Monday, 23 July 2018 by Rose Skelton

 

              On the day after Hazel died – it was a Tuesday afternoon in early March – George stood at his woodworking bench, whittling a bowl. He pressed the piece of yew down, and used a bowl gouge to scoop a smooth sliver of the pinkish-white wood so that it curled upwards and away, falling to the bench. He did this repeatedly – he tried not to think of anything else, not Hazel, not the empty house – and then, tired of that singular motion, he reached for sandpaper and ran it over the burrs and birds-eyes until the wood was warm and smooth to the touch.

              George looked through the window, out on to the loch, where the water was as flat and as grey as slate. On the loch’s far shore, lying low across the hills Beinn Bheàrnach, Beinn a’ Bhainne, and Beinn Taladh, was a bank of cloud that made the hills seem like stubs that ended only a few hundred feet up. These were the hills that George and Hazel had looked at every day of the 43 years that they had been married. Peat and granite and died-back bracken were George and Hazel’s winter-time palate; these were the hues that stayed with them through the darkest months of the year, until April when the first of the dog violets reared their purple nodding heads.

              Hazel hadn’t been well, but despite the pains that tore at her bones, and then the operation just before Christmas, she had been out in her garden every day. A few weeks after the operation, even, she had pulled on her wellies, got her gardening gloves down from the hall shelf and wrapped her purple rain jacket about her. Concerned, George had watched her through the long window at the back of the house climb carefully up the steps, clutching at the wooden rail, and enter her labyrinthine vegetable garden. He had watched as she had become smaller and smaller, eventually disappearing behind the poly-tunnel, just a purple speck on the hillside, a trowel in her hand.

              Now white wood shavings curled on George’s fleece jacket, and flecks of wood dust sprinkled his arms and shoulders. He didn’t bother to brush himself off. When the light grew dim, he switched on the overhead strips, which flickered and growled to life. He would stay out here until he saw his tools in double; only then would he go inside the empty house.

 

*

 

              The next afternoon, the minister called in to visit. George watched him drive up the road in his faded Ford Cortina, and then they sat in the living room where the stove glowed with coals. George served him tea and some Ginger Nut biscuits which Hazel had bought at the Spar Shop just Saturday. The minister had mild Parkinson’s disease, and his hands shook, the tea cup rattling on the saucer. He spilled a little of the milky tea on the beige carpet, both of them pretending not to notice. George didn’t mind; he just wanted the minister to leave. He wasn’t ready to talk about Hazel.

             The minister offered his condolences. “Thank you,” George said, and then looked at the spot on the carpet where the tea stained brown. He asked if Hazel had left any wishes for her funeral, any specific requests – cremation, burial, that kind of thing. “We hadn’t expected her to die,” George said, thinking how cruel to be taken, after everything they had been through, by a stroke. He got up to stand at the window.

              From there he looked out onto the edge of Hazel’s vegetable garden, which staggered in wild, overgrown terraces up the hillside behind the house. Neither George nor Hazel knew exactly how many acres the garden covered, because as demand for Hazel’s produce across the island had increased, so the garden had stretched out into their land at the back of the house. From the outside, the garden looked nothing more than untamed gorse bushes and rowan trees, trees that Hazel had planted when they had first moved to the house because in local lore they were thought to ward off witches. But on entering, and following the muddy path up the hill, the garden stretched out into large areas planted with every kind of vegetable that could grow in the island’s short season.

              Raised beds were planted with leeks, spinach, kale, squash and kohlrabi, beds that sat alongside fruit cages, potting sheds, and a poly-tunnel which in late spring brimmed with sweet peas and, in summer, with strawberries, runner beans, trailing tomatoes. Up higher were whole sections reserved for root vegetables – crops that in summer burst their green tops through the rich loamy earth, and in autumn delivered creamy white offerings of parsnip, potato, turnip, Jerusalem artichoke, roots that kept them going through the cold dark months of winter.

              From up here, Hazel had often told George at the end of a long day of work, she could look out across the house, the fields that surrounded them, and beyond to the loch, the hills, and the islands beyond theirs. From here she could be reminded that they lived on an island, because it was so easy to forget, an island that they had chosen randomly off the map all those years ago, its very virtue being that it was disconnected from the rest of Britain. She said that she felt reassured, when she was looking out on the sea that kept them apart from the mainland, that this would stop the rest of the world from encroaching upon theirs.

              George now stared out at the rowan trees that bordered the garden, clasping his hands behind his back, his fingers picking at an old woodworking cut on his thumb. Behind him, the minister fidgeted and shook. George wondered what he was going to do about the garden. Keeping it up had been Hazel’s job, not his.

              “You’ve been standing there for five minutes,” the minister said kindly, and George turned to find him still sitting there.

              “The garden,” George said, then trailed off. The settee springs creaked as the minister prepared to get up. “If it’s cremation you choose, it will have to be a mainland service,” the minister said. “Or there’s burial in the village, of course. It’s a lot to think about, and so soon. Perhaps you will call me when you’ve had time to consider?”

              George nodded heavily, his mind darting to when he had seen Hazel in the hospital, just two days ago, after the doctors had said she was gone. He blinked the image away, and right then, through the window, he thought he saw a movement through the trees. He looked closer, squinting his eyes, straining to see through the silvery branches if what he thought he had seen was real. A pair of eyes looked back at him, white and wide, and then another pair, and then another. He saw a flash of tawny hide, a glimpse of cream, the sharp points of antlers. Deer, George started, and the Minister looked at him quizzically.

              “Never mind,” George said, and then rushed the Minister to the door, hoping he hadn’t been rude.

              “You’ll be in touch about things?” the minister said, “and of course, if there’s anything.”

              George nodded.

              When the minister had set off in his car, down the steep driveway towards the sea, George went upwards, towards the garden. There, he saw how the deer had got in: a fallen strut had left a gaping entrance to Hazel’s garden, and the fence had been trampled. The deer might come out on their own, but it was unlikely. He would need to fix the fence, and he would need help to get the deer out. He couldn’t do it alone.

 

*

 

              Early the next morning, frost glinted on the tufts of shoreline grass, and herons stood still and long-legged at the water’s edge. George looked out from the window in the living room, and then picked up the phone to call his neighbour, Karl the farmer, and ask if he had time to come over.

              The deer were still in the garden. George had watched them from the living room window as they destroyed an elderflower bush, the bush shaking in great waves as it succumbed to the violent nibbling of teeth. Now George felt a kind of weariness that two cups of coffee hadn’t shaken, a deep tiredness that had lain with him all throughout the sleepless, cold night and had risen with him at the blue hued dawn. It was a tiredness that loomed over him so that he felt if he didn’t keep working, it would crush him.

              He was finishing up a slice of Hazel’s sourdough bread when Karl’s truck pulled up outside the house, his two sheepdogs, Ailsa and Aidan, turning circles in the truck bed.

              “Hello, mate,” said Karl, eyeing him cautiously. He held out his hand, across the pile of condolence letters that littered the doorstep.

              “Karl,” said George, shaking his hand, looking down at the letters. “I’m okay.”

              “Whatever you need,” said Karl, and George nodded.

              Karl was younger and taller than George, broad-backed, big-boned, carrying a head of bright blond hair. His face glowed red above the neck of the Guernsey sweater he always wore. George and Karl had been neighbors for going on 25 years, when Karl had taken over managing the farm on the Ashworth estate, and had moved to the cottage four miles along the road. The Ashworth estate stretched as far as George and Hazel’s house, and continued on the other side, so George had seen Karl come down on his quad bike, or in the truck if it was blowing a hoolie, twice a day, every day for the last two and a half decades.

              George stepped outside and pulled the door closed behind him. The cold air stung his nostrils. Hazel loved this kind of weather, the ground still hard but spring somewhere nearby. She loved the white stillness of frost and the long evenings when a stew simmered on the stove, when she and George would play Scrabble together, which Hazel usually won. Hazel had always been good with words, ever since school where she had won the spelling competition. That was when George had first noticed her; they had both been thirteen.

              George led Karl around the side of the house to the garden.

              “Part of the fence fell,” said George, pointing to the gap. “This was her department. I haven’t been round here since,” he paused, “the operation. Before Christmas.”

              “I see,” said Karl. “Can you get a new section of fence up?”

              “I can get some posts,” he said. “And some new wire fencing.”

              “When do you think you’ll have it ready?”

              “Tomorrow, maybe. By the weekend for sure. I’ll have to go to the town for supplies.”

              “Okay,” said Karl.

              “But the deer,” said George. “There must be five of them at least. They’ve been watching me.”

              Karl nodded. Over the years, Karl had become a feature in George’s life, if not quite a friend then someone George could count on. Hazel had sold her produce every week at the market, sixteen miles away in town, so she knew nearly everyone. But George rarely went away from the house, unless to fit a door he had made or sell his turned wooden objects. He was fine without friends; he had Hazel, and he had his work.

              But when Hazel had got sick at the start of the winter, Karl had begun dropping in every now and again after he’d fed the sheep, offering Hazel and George lifts to the ferry for hospital appointments in Glasgow, picking up medicine for them from the town. Karl’s wife, Mandy, might send along a cake or some bread, and recently Karl had shown up on his quad bike with a fallen branch of rowan wood from the estate. He had asked Mr Ashworth’s permission to take it to George to turn bowls with, and Mr Ashworth had said, given the circumstances, that this would be fine.

              These were little things, but where they lived, they made all the difference. During Hazel’s sickness, George realized, he had come to rely on Karl and Mandy in a way that made him feel uncomfortable. He didn’t want to be a burden on anyone.

              Karl and George stood now, looking into the garden, until they saw movement, a swaying of branches, the snap of twigs and the flash of red between the shades of greens and greys.

              “I see them,” said Karl. “Little pests.”

              “I don’t know how long they’ve been in there,” said George. “Hazel, she hasn’t been out here since, well – ” His shoulders hunched and his chest caved, as if he were folding in on himself.

              “It’s okay, mate,” said Karl, reaching out a hand and placing it gingerly on George’s shoulder. George raised his forehead, pulled back his neck, sucked in a little air.

              “Since Saturday. She was fine on Saturday. She was out here on Saturday.”

              “Well, it sounds like they’ve had enough of a feed,” said Karl. “What say we get these rascals out of there? I’ll get Ailsa and Aidan from the truck and see what we can do. How does that sound?”

 

*

 

              While George and Karl were out in the garden trying to get the deer out, the minister left a message on George’s answering machine.

              “It’s Reverend Paul,” said the message, which George listened to later on that night. “From the church.” He asked if George might call him, or if he might come round again, to discuss the arrangements. George had listened to the beeps that followed the message and then had pressed the delete button.

              George and Karl were unsuccessful with the deer. The sheepdogs did their best to round them up but every time one of the dogs cornered one, the deer leapt away into some further reach of the garden. Karl and George stayed with it until around lunch time, when Karl said he had to go and see about the cows.

              “Of course,” George said. “You be getting along.” He tried to say it in a way that didn’t make Karl feel bad. Even so, Karl shifted awkwardly from one rubber-booted foot to the other and offered to come back another day if the deer still hadn’t left.

              “If it’s no bother,” George replied, trying not to sound relieved.

              “It’s nae bother to me at all, I want to help,” Karl said. “You’d do the same for me, right, mate?” George dipped his head, a heavy nod of agreement.

 

*

 

              As darkness fell that Thursday afternoon, George went out to his workshop. He pressed the light switch on the wall, and the caged strips flickered to life. The bowl he was working on lay on the bench, its corners cut, its insides gouged, its surface rough with the scoops and turns of his tools.

              George had been woodturning for as long as he had been married to Hazel, 43 happy years as a husband and a woodturner. You couldn’t rush either one if you wanted to do them right. George had learned about wood from his father, growing up in the New Forest, where his father had taken George on his wood-seeking trips around their house. By the time George had left school, at fifteen, he had learned to love wood with the same passion that his own father had.

              George earned his money from making doors and gates for people, kitchen cabinets, those sorts of useful things. But what he rose for every day, was to turn discarded, forgotten pieces of wood into beautiful bowls, platters, vases, objects that would live in people’s houses for years, maybe even be passed on to the next generation. He wasn’t good with books, or words, or spelling, like Hazel had been, but he was good with his hands and he had the love of wood buried deep within him.

              George looked out of the dark window at his own reflection staring back, and then at the row of tools clipped in hooks along the wall. There was the red handled chisel his uncle had bought him when he had turned his first bowl, the saw, 40 years old, a new blade bought on Amazon just one month ago. A bradawl, the rubber grip long since turned sticky but the blade still up to the job, which he had bought in an old man’s yard sale on their first holiday together in 1976. A jack plane that Hazel had bought him for his twenty-second birthday, the same year she briefly went to work at the Clydesdale before deciding an office life wasn’t for her and took to gardening full-time. A sliding bevel square, one of many tools left to him by Jack, who used to farm next door. The froe that George had bought himself, the gimlet he had found. The rasp, the spokeshave, the twybil; a brace, a broadaxe, a bucksaw.

              George ran his hand over the blades and handles now, ending with the set of Sheffield steel bowl gouges his father had left him when he’d died. George had spent nearly his whole life with these tools, each one so precise, existing for one single purpose only. He looked once again up at the window out of which he could see nothing, only his own ghostly reflection. What would his purpose be, now that she was gone? What would he be?

              Lying on one end of the bench was the piece of rowan that Karl had brought to him from the estate. It had been sitting there, gnarled and knobbled, waiting for him to do something with it, but with everything that had happened – the operation, the slow recovery, and then, this, Hazel’s death – George hadn’t got around to even splitting it open. He had no idea, and could not tell from looking at it, what was inside, what colours and patterns he would find when he eventually laid it out and cut it through with the saw.

              But he had the urge to touch it now, to rub his fingers over the bark, and then he wanted to take the branch in his hands, and he did, feeling the weight of it pull on his arms. Then, it were as if his body were acting on its own, and the deer, Karl, the minister’s visits, even the fact that Hazel wasn’t inside cooking dinner, all of that became a kind of haze to which George was now numb. He took the branch over to the saw table and laid it down in front of the circular blade. He pulled on his safety glasses, stretched his fingers into some gloves, and flicked the switch on the side of the saw. The jagged mouth of the blade roared, a blast of sawdust-speckled air gushed upwards onto his face. The teeth began to pierce the rough skin of the wood and the noise drowned out the darkness that had permeated George’s mind. Just the rowan, the blade, and the devastating cut of metal on wood.

              George shut off the saw and laid the two pieces of wood down on the workbench, blinking the dust from his eyes and taking in the colours before him. Cream and copper, tan and taupe, specks of auburn and swirls of russet, freckles of chestnut and honey and peach. He swept off the dust, and then licked the tip of one of his fingers and rubbed a little saliva into the wood. Along with the growth rings that he expected, the wood also contained patterns that snaked in one direction and then in the other, the lighter-colored sapwood on the outside spiralling inwards towards the deep treacle-tinged heartwood at its core.

              George ran his hand over the wood once more, taking in the brightness of the colors, and then he watched as they began to fade, as the air in the workshop oxidized the wood. It was as if their lights were going out. The colors lost their brightness, the wood lost its shine. It would never be the same piece of wood again.

 

*

 

              The week lumbered on, bringing with it an entourage of lady-callers, women who lived on the island, many of whom people George had never even met. He had made the mistake of letting one of them through the door, early on in the week, and then they had talked on Facebook, probably, or at the post-office, and before he knew it, they all wanted to come in.

              They brought cakes, mostly, but also soups, stews, trays of flapjacks, an apple strudel, a multi-coloured chilli plant from the village shop, all of which lay abandoned on the shelf inside the porch where in April, Hazel would have been laying out trays planted with seeds, ready for outside sowing in June. When the women knocked at the house, he didn’t answer, and so they cupped their hands to the window and then pressed their faces into the aperture their hands created. Then they would decide he wasn’t there and back away, leaving their offerings inside the porch.

              Eventually, someone brought George a bottle of Famous Grouse whisky, even though he hadn’t had a drink in God knows how many years. The bearer was new to the island – a blow-in, locals called these people – and had no idea that George had promised Hazel a long time ago that he would never touch another drop. George snaffled the whisky into the pocket of his woodworking jacket and took it out to the workshop. He didn’t bother with a glass.

              There was an old leather armchair in his workshop, and he sank back into it, rested the bottle on his knee, and looked up at the rafters. He let out a sigh. Then George twisted the top off the bottle, put it to his lips, and glugged at the amber liquid, wincing and enjoying the pain as it slipped down his throat. The whisky burned the back of his tongue, and gouged tears of surprise from his eyes because he had not tasted whisky in so many years and now he remembered how disgusting and how delicious it was.

              He thought of Hazel, and of her garden, and of her windowsill which should be covered in trays of seeds but instead was covered in trays of brownies and other things he would never eat. He tugged at the neck of that bottle and forced himself to swallow the whisky, and after a few minutes of drinking his arms felt light, as if they might lift of their own accord, and his head was woozy, and then he couldn’t remember why he was sitting in his workshop at all. With the confusion came a momentary, welcome relief.

              But the feeling that had been plaguing him since Hazel had died, the weight that hung around his shoulders, that dogged him in the house and followed him when he went to bed and when he got up in the night to go to the toilet and when he finally rose to deal with the day, the immense and stupefying weight of her absence still clung to him, and even though he was drunk and he felt like throwing up everything that was inside him, still it was there. And the thought that it would never leave, that Hazel’s absence might for ever hang around his neck, was, even in his drunken discomfort, also a strange kind of relief, because at least that meant that he would always feel her close by.

 

*

 

              When George woke up to a hand on his shoulder nudging him awake and Karl looming over him, he didn’t know where he was. But by the light coming through the windows, he could see that it was morning. His head was raging.

              “You okay, George?” said Karl.

              “Just give me a second,” said George, who felt sick and mortified by what Karl had seen. “I was just…”

              “Yes,” said Karl, who ran his finger along a knotted branch of ash that lay drying on the racks, looking away so that George could gather himself, straighten his jacket and kick the bottle underneath the chair. “I came about the deer,” said Karl.

              George had forgotten about not getting the deer out yesterday, and felt immense gratitude for Karl having come round. They went outside to Karl’s truck, where the sheep dogs snapped and twisted in the back.

              “You okay, mate?” Karl said, eyeing him closely.

              “I’m getting there,” said George, who had now been without Hazel for four whole days, the longest they had been apart for twenty or more years. “I’m not really sleeping,” he ventured. His head felt as if it were bursting.

              “Is there anything we can do?” asked Karl “Mandy says do you want to come over for tea?”

              “Aye, maybe one of these days,” said George, who would have loved to eat a meal at a table with someone else. He had been surviving off sourdough bread and cheese, which he nibbled at while standing up at the kitchen counter, too afraid to sit down alone. “Maybe later,” he said, worried that too much warmth would crack him. “I’ll let you know,” he said, knowing he probably wouldn’t.

              The sheep dogs, Ailsa and Aidan, pressed their muzzles against the grill at the back of Karl’s truck.

              “How about them deer?” said Karl, “are they still up there in your garden?”

              “They’ve taken out the rowans,” said George.

              “Oh dear,” said Karl, knowing Hazel had planted them. He twisted the handle on the tail gate and the dogs piled out of the truck, panting and dangling their long pink tongues around the rims of George’s boots. “Come,” Karl snapped at the dogs. To George he said, “let’s see what we can do, shall we?”

 

*

 

              The deer took fright when the dogs appeared, and scattered to every corner of the garden. “You stay by the gate,” Karl shouted, following the dogs with his whistles and clicks up through the paths that wound from each part of the garden to the other. “They might come out,” he shouted, his voice fading as he went further away. Then Karl was gone, only his red jacket visible in flashes.

              In actual fact, Hazel had told George when she had gone for her operation before Christmas that, should anything happen to her, she wished to be cremated. She wanted her ashes to be scattered in the garden, Hazel had said, underneath the rowan trees. George hadn’t wanted to talk about it but Hazel had insisted. “Just in case,” she had said, holding his hand in bed the night before she was due at the hospital. “I just want to know that we talked about it.”

              George’s head was still thick with the whisky that he wished to God he hadn’t touched. The feeling of having broken his promise to Hazel was enough to make him realize that it was the last time he would ever drink again. He heard a shout from the top part of the garden, somewhere up near the brassicas, then he heard the dogs barking, and then a scuffle of hooves around the perimeter fence as two white-faced stags came trampling down the hill towards him.

              “Look out!” shouted Karl, whose head was just visible above a clump of gorse bushes. George was momentarily fixated by the way the animals leapt towards him. One of the stags had just a small pair of antlers but the other was an eight-pointer, maybe a ten. Its haunches undulated as it ran. A fine drizzle had begun to fall on George’s face and it seemed as if the drops were falling on someone else’s skin entirely. The two stags were nearly upon him, undeterred by his presence.

              “Let them through, George,” Karl shouted, “stand back.” The stags made directly for the opening in the fence. All George had to do was to let them pass. They streaked by in a flurry of fur and bone and hoof.

              “Well done, mate,” said Karl, who had come down the hill towards him. “I’m afraid we’ve got trouble with that young fallow, though,” he said. “She’s tried to get through the deer fence, and I think her leg may be broken.” A fine layer of mist had settled on Karl’s face too, and the two of them, bedraggled and damp, look out at one another beneath rain-soaked hair.

 

*

 

              Karl came back that afternoon after milking and shot the injured deer. It had been a young one, its leg mangled by trying to jump over the fence, its antlers small but perfectly formed. They laid the deer on plastic sheeting in the garage, split it open from end to end and removed the gralloch which Karl plopped into a bucket, the kidneys and intestines trying their best to slip through his fingers. He left the head on a tarpaulin, and took the feet for his sheep dogs to chew on. Together they hoisted the body up onto a hook in the roof beam, put there for such a purpose. George would skin it for its meat once it had bled dry.

              Afterwards, they sat in the house and George lit the wood-burning stove, resisting the urge to ask Karl if he wanted to play Scrabble. George produced the apple strudel, and together they ate it and drank a pot of tea. “Have you decided what you’re going to do about the – ” Karl paused, “about Hazel. About the funeral?”

              George sipped at his tea, and said, finally, “Yes.” He knew what had to be done, and tomorrow he would call the minister. “Hazel wanted to be cremated,” said George. “She wanted her ashes scattered underneath the rowans. They’ll grow back, won’t they?” he asked.

              When they had gone up to free the deer from the fence, and found its leg broken and the deer weak having wrangled all night, they had found the garden in a state of destruction. The beech trees’ lower branches had been bitten to the core, the purple sprouting, kale and other winter greens were flattened and snapped, stems bleeding white, open to the sky. The potato patch was churned with cloven-hoofed prints, and the rowans were naked, stripped of their bark, the sapwood within shredded and torn as if an angry clawed animal had been trying to get its guts out.

              George had run his hand along the trunk of one of the trees, once smooth and silvery, now rough against his palm, like strands of old rope. George didn’t know if the rowans would survive another year, but Karl had suggested he call James the farrier, who was good with trees, to see if he had any advice. When Karl finished his tea, George didn’t offer him any more. They said goodnight at the door, and George heard the truck bounce down the lane to the road, the dogs whining from their cage in the back.

 

*

 

              In the garage, the deer hung from the hook. In the stark glow of the strip lights, the deer’s hide shone bright, tawny with patches of cream, specks of brown, hazy spots of auburn faintly visible. The head lay on the tarp still, and the deer’s eyes were closed now, its lids pressed shut against its face. But when Karl had taken a rifle and nuzzled it up against its struggling head, its eyes had been wide open, bright with fear and pain, the eyeballs engorged, straining through its own scull. George had hardly been able to bear it, though he knew that this was the kindest thing to do.

              “Best to put it out of its misery,” Karl had said, and then he had pulled the trigger. The fawn was killed immediately, its body slumping against the fence where its leg had been caught, but for a few seconds, its muscles had twitched and its eyes had gone on blinking, the nervous system firing impulses even though its heart had stopped. George wasn’t religious, or even spiritual, but he thought, for a moment, that he might have been able to see something pass from its eyes, something fade, before the eyes stopped blinking and the muscles ceased to shiver.

              George closed the door to the garage, turning his back on the deer. It would still be there in the morning, and a few days later when George would skin it and carve up the meat for the freezer, taking a parcel along to Karl and Mandy. George went back inside the house, past the trays of cakes, to the table where the phone lived. Holding the receiver, he dialed the minister’s number, and waited for him to pick up on the other end.

 

FictionFour Way ReviewRose SkeltonShort Story
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