FIVE POEMS by Amorak Huey

/ / Issue 21

LOGJAM

 

               The 1883 logjam on Michigan’s Grand River 
               was one of the biggest in the history of logging.

 

Listen: one hundred fifty million feet of logs: skew and splinter thirty feet high for seven river-miles. Sky of only lightning, mouth of only teeth, all bite and churn, thrust and spear, the kind of mess made by men who have men to clean up their messes. It rains. Thirty-seven million tons of white pine clears its throat. Water rises. The bridges will go soon. Listen closely: underneath the knock and clatter, the trees still sing. The song is a violence. 




 

LIKE GREAT HARPS ON WHICH THE WIND MAKES MUSIC

                                         —Henry David Thoreau, on the Eastern White Pine

 

Dark ghosts, tall as moonlight.
Shadows without shadows.
Listen. This wind will not last.
Such music will never play again.

The smallness of a man
who enters a forest to destroy a forest;
who believes that to name a tree
is to claim its strength as his own—

across the lake, a city burns. 

 

 

 

O-WASH-TA-NONG, MEANING FAR-AWAY-WATER

 

Across Happy Hollow Road, across Gillespie’s pasture, past barbwire and tree line, the river of my childhood still twists and eddies south toward the gulf, cold as memory’s fist, even on the sunniest day, even decades later as I cross a new river each day, the same river, the only river, the river I’ve invented, shaped and poured to quench my thirst to be loved, a filled trench, a scar left 11,000 years ago as the great glaciers crawled north, meltwater left to find its own way to the lake. The story of a river in America is always a story of destruction.  



 

 

“A HUNDRED DOLLARS TO AN OLD HAT SHE HOLDS”

 

                                      —Local paper, predicting an iron railroad bridge 
                                      would withstand the logjam; the bridge was swept 
                                      away while the ink was still wet.

 

What if I’ve learned the wrong lesson from every story?
What if a flood, after all, is only a flood, cleansing nothing? 

What if our sins cannot be washed away so easily,
if all our stumbling will leave us lost, still?

Somewhere I learned to love the kind of man I am not. 
Knuckle-scar. Thick forearms. Beer-bottle-dark eyes

and a sense of duty. The strength to hold a tugboat steady in rushing water
while other men sledgehammer pilings into place, an obstacle

to catch what comes our way, it’s a matter of time—
all that’s upstream breaks free.








THE ENGINEER WHO FIXED THE LOGJAM RECEIVES A GOLD WATCH FOR HIS TROUBLE

 

I know so much about how water moves 
it leaves me dizzy. I know time and rivers
are tools the rich use to make fools 
of the rest of us; no limit to the weight a man 
can heave onto the backs of other men.
What else to do but decide to survive?
Water has no memory, is only memory,
is the world’s purest form of desire,
the relentless drive to return home
whatever the cost. It’s all any of us want,
to have a smoke and finish the job,
carry our weary bodies to a hearth
somewhere, a resting place
and the warmth of someone who loves us.
If water cannot go through, it goes around.

 

 

 

ISSUE 21

 

       POETRY

 

BECAUSE I MAKE MYSELF NEW EACH DAY by Rebecca Macijeski

 

AND WE TRY TO FIND GESTURES FOR OUR HUMANITY WHEN WE'RE YOUNG by Rodney Terich Leonard

 

THE HOUR OF THE WOLF by David Roderick

 

THREE POEMS by Sarina Romero

 

FIVE POEMS by Amorak Huey

 

TWO POEMS by Augusta Funk

 

TWO POEMS by Irène Mathieu

 

GYM CRUSH by Josh Tvrdy

 

WHEN SUN SHINES ON WATER by Stella Lei

 

ANOTHER OHIO ROAD TRIP by Erika Meitner

 

COME CORRECT by Erika Meitner & Traci Brimhall

 

TWO POEMS by Hussain Ahmed

 

       FICTION

 

LOVE AND LEAVING IN THE CONDITIONAL by Kimberly Liu

 

EGG WISHES by Lucy Zhang

 

DON'T CALL ME YOUR PRINCESS by Megan Culhane Galbraith

 

AWAKE UNTIL DAWN by Pete Prokesch

 

       ART

 

by Megan Culhane Galbraith

TOP