FORGETFUL GOD by Charles Harper Webb
“Are not five sparrows sold for two pennies? Yet not one of them is forgotten by God.”
—Luke 12:6
Night’s dark cadenza fades. To wild
applause of birds, the moon’s cornet-
bell ducks behind the blue
curtain of dawn. Now, from cracks
and pools that waves have gouged
into pahoehoe, hermit crabs drag
scavenged shells after the retreating tide.
Gray-barred doves ocarina soft alarms.
From green palm trees, yellow finches
screech, “Retreat!” Yet, in a round breach
in the black rock, one small orange fish
delays too long. Trapped
in a pool that slinks away as daylight’s
hard, hot hand slams down, it’s just
a fish: no plans or projects
left undone; no friends or family
who will mourn. Still, it fears to feel
its circuits short out, its liquid
rhythms quit. Like the prayers of a rocked
boxer, trainer shouting words
that he can’t understand, the fish
zips back and forth across the ring—
enormous once; now closing in.
Flashing side to side, flipping
through the air, the fish finds only
that all escape-routes end. No life-line
opens to the sea six feet away,
its gray chop bluing in the sun,
its surface surging up and down,
forward and back.
- Published in Issue 15
TWO POEMS by Eric Tran
Pulse
June 12, 2016
Us and blindfold
in delicious dark. Done deaf
by bassline, scouting heat
with bladed tongues. Breath
a scream spun in reverse
and Lord don’t we holler
wet down each other’s
necks. Rapture and rupture,
every sizzled bead
of black sweat
spit swollen out
our skin. O God
make naked a flaw
with climax steeping
our glotted throats.
Give name the hollow
wont to fill fat
with blood. Sing us
a lie: our hearts
fed thick with thrust
and rhythm, sacred
fist made habit
the gasp and surrender
of living this soft.
He Who Helps Drag Queens Descend the Stairs
You in the Abercrombie half zip
made for someone who knows a decade less
kindness. You who doesn’t smile at dick jokes
or a queen tonguing her cheek to phantom
a blowjob, but who still offers dollars bookmarked
between fingers or resting in your palm
opened like a leaf. Who taught you this devotion,
the unassuming necessity of a single spotlight,
of the glue behind the glitter, the links above
the chandelier? You, patron/saint of
the naked, unrolled ankle
strapped in a high heel. You harbinger
of a spandex pantheon, you gel-tipped
trumpeter. Here, background music
is heralding. Take up your brassy horn,
press it to your lips and blow.
- Published in Issue 15
TWO POEMS by Cate Lycurgus
COORDINATE VISION
There may not be a whole world, just
the hole that I know of it.
Though I scale up, ever-after a vista
that will hold. Water for whatever
dialect of thirst, or map from where
it flows. Of playground rocks
tossed at my heels, heels cracked like alpine
contour drawings, drawing
a placebo in the final stage—I’ll proclaim
nothing. My ache is addendum
to laments long-tenanted in blood less faulty
than mine; which quakes
when I survey the timeless plates, how
boundaries shift to constrain.
Equipped with legend and no dead-weight,
a face of freckles constellating
spangled ways ahead—I toss out the old-
growth compass. Ask
for small dippers of what is not: capital,
settled, primary color; try
ripping perforated paths to let our borders
bleed. Holiest
of holies. But who am I to approximate
a shrinking eyelet of hurricane
when every storm I manage to out-wait
takes another girl’s name?
At last the globe tilts, swiveling my gaze
from the well-charted path
of my own gale to zoom out, diffuse, so
dilate: the Aida, the Boone, the Cate.
CARE/FUL
I don’t think I could care
less for the buy-one-/ get-one
free unless the bye is some re-
prieve and one my getting full-/ly
how less is all that I need
besides that TV left beneath
the olive tree w/a shaky
sharpied sign free
for-all is saying all
of y’all—
please— free me of this
broke machine it is easier to un-
load to free load load up on
those free samples
ample space than to make
a place and one’s days full/-y
of care as you said I was free
to go away free to walk
from the curb take no/thing
with me care- free but know: I never
was or was—
every day I chose
- Published in Issue 15
PRESERVES by Laura Romeyn
The girl sets her pan away
from the house, grasps the branch,
pulls from the crown a wash
of its apples. She breathes loudly
into her swollen hands, pulses
the pan for some thin company.
Miles out from the main road,
streets turn to lanes into stone
into woods. Discarded stalks
and collected decayed return
to the bucket, or are scrapped
to pile in heaps. As a swarm
of monarchs arrive in their color
to wheel down together, each year
the girl bows also to the shapes.
Winds deeper into unorchared
grounds where unplucked weight
breaks branches. This year
her prints go farther in.
This year she moves faster
than her gathering pace: no pan,
no pail, no jar. She is out there.
Where trees teem red with ripe
fruit, wild fruit, the tree line
collects as one bridge of branches
no person looks for, or after.
And so the living spoil
in it, under it, because of it.
- Published in Issue 15
TWO POEMS by Julia Kolchinsky Dasbach
Microsatellites
Great-grandmother dreamed there were
two of you inside, two scorpions locked
by their tails, exoskeletons on fire, one
wearing great-grandfather’s face, she forgot
the other but remembered two mouths
exhaling water, I kissed them, she told me,
all four cheeks, she saw both of you split
the sky where you hunt the hunter and burn
eternal, felt both of you move, siblinged
under my skin, but in waking, we heard
one heartbeat, saw one skeletal outline,
more water than body, more animal
than arachnid, all you, untwinned, I was stung
twice, she said, and I asked her
if it hurt, only the first time, but the stars
never stop hurting.
Other women don’t tell you
you will forget
someone’s birthday
your son’s winter coat
at his grandparent’s when the weather turns cold
his fingertips and they aren’t blue
but a color for which there is
no name like the pain
of childbirth which they say you will forget
but you remember every splitting of your body
and instead forget the way your people suffered
saying there is no language for the cold they bore
no language for forgetting
and yet you manage it so easily
the way you fall asleep the way
the crescent moon hangs in the sky
like a closed eyelid the way its sliver
sunk snuck in even after you’d forgotten it
the way you forget forgetting
keep using the same word
despite its lack of meaning and you tried
to go and buy a new coat
one that would fit your son’s long torso
his arms stretching to his knees
but other women
didn’t tell you how he would grow
immeasurable the black sky at once
everywhere and nowhere the full
moon and the new and everything
that you’ve forgotten of that cold and night
of language your people’s birth-
and death-days frozen in his bones
though already the days grow longer now
by minutes only like his legs
more ready to walk away
- Published in Issue 15
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