LAMBING by George Kalamaras
Time was too long each winter. Each spring
death clung to our tongue. Just below
it milled failure and success: lambing seasons
that arrived to survive, the job
that finally paid, the art of making love
even when we felt less than whole. We knew
the Bible would fly off the table
at a moment’s drink. That the dog’s sound
sleep meant mining activity along the Big Laramie
River had not lasted past 1882. A hundred years
of lack dread-fed today. She said something
or other. He heard something something something.
We cattle-swung regret, lumbering in
from the wheat, our heads jostling side to side,
mumbling as if our mouths meant medicine.
Suicide was not an option. The pawnshop
was too far south, and we didn’t want to register
defeat. It was easier to watch documentaries
of the Civil War in the palm of the hand
to a bluegrass backdrop that said those times
of cloud cover were cruel. The Denver Mint,
too, was south. The silver had long run
out downstream from what our grandmothers hoped could be
permanent indoor plumbing. Sure, we’d grown
far enough to shit indoors, but now the smell
of a hundred years of struggle lingered
long minutes inside, crawling
up the wall. We tried to take
walks, even when it rained, the sound
on our roofs a rustle of restless regret
keeping us locked in homes whose walls
displayed photos of how we’d aged. Each smile,
given on cue, somehow meant falling through
the boards. How we thought the present was here
to stay. How our tongues held dread. How a spring
lamb, unsteady and weak, might bleat defeat.
LETTER TO PHIL FROM MANITOU SPRINGS by George Kalamaras
for Philip Appleman
Did Darwin name the world, or did you, Phil, in creating him for us? I swear a Galápagos tortoise inhabits my sleep. A dream broth. A cup of Genmaicha tea containing roasted grains of brown rice. It lays its eggs across the coral reef of my brain. Blonde. Blind. Without fish-mouth or salt. The three readings for the day from the Church of Francis Ponge would most certainly be “The Oyster,” “The Mollusk,” and “Abode of the Gray Shrimp.” What am I looking for here in Manitou? Surely not a man. Or two. More like the primordial pulse of the manta ray let loose through the fossils of an ancient mountain pass. Imagine the ragged shore of the Baltic Sea and a big black wolf in 1835 that we believed was the other side of the world. Imagine Apollo, patron of shepherds, associated with wolves—though only out of fear of certain parts of ourselves that might never die. We kill hundreds of thousands of breaths, regularly, when we breathe mindlessly, without focus. A shaman in Siberia shakes his maraca, reaching into me, and holds my liver right there in a basket before me, telling how to track my past. How my mouth might finally be the beautiful, brutal slaughter of 4,000 geese in the spring hunt off Cape Krestovskaya. Your poems are more beautiful than the Crimean dead, than the Japanese glaze of a soap dish waiting to cleanse my mouth in the Manitou Crafts Co-op. I still remember your class. 1978. How Jennifer and I noticed the sweet peculiarity of your blue suede shoes. Did they evolve from the bellowing blast of yak leather? From the low vocabulary in the underbelly of an ox? How many people know that the musk ox is more closely related to the North American mountain goat than to the bison? How much chocolate can one possibly eat in this tranquil tourist town of Manitou without vomiting a goldfish, forcibly, all the way down from the watery restlessness of the brain? I keep returning to Stevens because I don’t understand, though I love the sound of his verbs. Come. Go. Stay. Be well, he seems to say. Even when sounding like the rarely glimpsed freshwater mountain shrimp of Borneo. Once, when writing about Vallejo, I quoted Stevens by mistake, saying, the ordinary of his commonplace. Once, writing you, I asked if you were a mirror of the purest milk, my most moist lice, or just my mouth, thirty years older than the rest of me.
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