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FOUR WAY REVIEW

TWO POEMS by Rajiv Mohabir

Wednesday, 12 November 2025 by Rajiv Mohabir
Man stands at seashore in a white shirt with a big grin, resting his hands on his head.

In Sixteen Bridal Adornments You Come,
 
          opening to another. What cannot be 
 
          carried from room to room?
          You line eyes in burned ghee
          cured under the full moon,
 
          toe rings gleam 
          against your dark
 
          skin, brush the doorstep 
          of stone. You open another
 
          door. Stay there, 
          standing. Your earrings flicker, 
          thresh gold: 
 
          a votive collaboration
          with candlelight.
 
          You need another
          to light your match.

 

अंतिम श्वास / At My Last Breath 

A crow perches on a deer’s collapsing 
ribcage in a field of cut corn stalks, gold 
tarnished beneath snowfall. The tractor blades 
that harrowed the fawn, rust in winter wind, 
snow-bitten into fragments. Tomorrow 
asphalt cracks widen with thaw. The red 
fox curling against the highway shoulder 
widens until it opens to earth, each cell 
lifting into arid light. When the crow 
comes for me I want to recall you full-
leafed at Gaviota beach, your swimsuit 
a whelk shell ashore; for the sun of you 
to pull me up, to release me to mist.
 

Issue 34PoetryRajiv Mohabir
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  • Published in Featured Poetry, Issue 34, Poetry
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PREFACE by Rajiv Mohabir

Sunday, 30 September 2012 by Rajiv Mohabir

Let’s pretend you are going hunting.
You pack your gear: a buck knife, a bow
and arrows cleft from the straight weeds, wild
in my front yard. You perch in a red oak, yearning
for those chilly mornings that signal harvest.
The copper of pine needles falling; whether
you catch me or not is not the point. You look first
at the wandering deer, the bigger prize,
full of meat and bone, with a skin to cure,
but you keep an eye peeled for upland birds too,
smaller, easier to mount once ensnared. You don’t need a guide
to hollow lungs of song. Yes, I said,
birds are easy to work with, their refugee bones
hollowed for flight, so small and delicate,
they may as well not be there. I have always
made myself invisible. I mean to say
I am still—the trembling breath of a comma,
the coincidental object of your want.

 

Listen to Rajiv Mohabir’s reading of “Preface” below…

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Four Way ReviewPrefaceRajiv Mohabir
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  • Published in Issue 1, Poetry
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