FOUR WAY REVIEW

An Electronic Literary Journal

Man in sweater and bowtie smiles at the camera

HYPERPHAGIA, OR FIGURATIVE LANGUAGE by Matty Layne Glasgow

Famished, he did not understand hunger
until it fueled a metamorphosis. An animal

does what he does. A boy, thin and lithe,
grows with each taste: his mother’s milk,

a crabapple pawed from its branch. Later,
a man’s tongue. Come spring, fur meadows

his once-pink skin, hangs loose from a belly,
from fragile limbs. Soft, love can leave one

hollow—the mother gone now, the lover off
mawing pupae and eggs from a hive’s thin

crevice. He imagines a face swollen with stings,
the bees shaken from his pelt like river water.

Man a consequence of indulgence, he forages
every sweetness in memory, knowing nothing

lasts. There’s wilderness everywhere, cruising
a truck stop off I-80 as he might an aspen grove

along a ridge of the Wasatch, finding pleasure
without prey or conquest. Hunger’s season end-

less, to sate it merely temporal relief. One night,
it relents, following a man out of the stall, belly

full, the whole of him tingling. He palms the tile
wall until it ends. The sky is quiet and rapturous

as that touch or cold air blown against his body.
Here, he emerges from metaphor: wet-mouthed,

sore, and ready beneath the nearly-empty moon.

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