Weston Cutter is 1) from Minnesota, 2) currently employed by the University of St Francis in Fort Wayne, Indiana, and 3) the author of the books All Black Everything, You'd Be a Stranger, Too and Enough.
LINE DRAWINGS by Weston Cutter
Sunday, 29 March 2015
dear salt dear water scribbling difference between where I can dryly stand+not dear sea dear shell dear Florida from your panhandle I'm staring past seagulls flit +scurrying across sand white as my unsunned torso at an oil rig miles offshore which must even now be barbing into deep durk+mank to extract the treasure I'll later pump a refined version of into minivan's rear flank so we can trade this sucrostic malleability for the cold bones of home dear edge dear border dear horizon which just lays there flat as a that's that voice when what's done's been done, when there is as the phrase has it no going back up the road a thousand miles snow drifts where I'm from on hurt+merciful alike as it must, like Christ or a bad mechanic true cold can make no distinction regarding whom it bestows its shivery gifts upon dear south dear December I'm standing here because I believe the ocean keeps saying stand there then like any of us changes its mind, the way the waves gurgle playing the game of life which is called get everything then retreat dear boundary dear almost dear exact location where self ends+beach begins I came here to witness quietly shifting things: the moment one year breathes out + the next in, to listen to an I do transform Ellen's uncle+his love into husband+wife but my daughter kept shouting so we went outdoors where she again attempted to put the universe into her mouth dear littered plastic cup dear cigarette butt dear fallen palm leaves I watched the you may now kiss the moment from beyond the church's window as Jo said da and da and da pointing first at sky then trees then the cars passing the small white chapel +finally da pointing at herself, and then me, all of it da and how can I not hope she's right hope she hope me hope we never forget how the thin distinguishments of living are temporary mercies setting us free within flesh to believe beyond flesh dear wet envelope of ocean from which the moon slides nightly like the lovest letter dear moment bread becomes body there must be room within each infinity for all of us seeking the phonebooth in which our true selves stand waiting to answer whatever call finally comes.
Issue 7 Contents NEXT: Four Poems by Christopher Kempf
No Comments