;

I disagree with you about the nature of love
and by extension about art or rather
the role of form in art for while abstraction
can delight the senses it is not sustainable
or repeatable and what humans need is more
like a glass of water not only upon waking
but one at lunchtime and one later on
in the evening repeating like a clock
that doesn’t need winding but ticks along
uninspired unexploding with no mystery at all
that is simply there in its place so I suppose
I also disagree with you about life and its
purpose I mean can you imagine if breath
or pulse were to have an ecstatic epiphany no
there is no ecstasy no explosion no light
piercing darkness once and for all but just
this steady lighting of the lamps of progress
and of moving on and yes it’s predictable
and that’s not only its chief characteristic
but its crowning virtue so make your art
in form that iterates generally and gently
rather than in spasms that hate themselves
and in doing so you will find the love that
plods dully on and it will bear that weight
in you of course I say all this and want
to mean it but in fact I live in urgent sadness

 

 

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About Aaron Belz

Aaron Belz
Aaron Belz has published three books of poetry—The Bird Hoverer (BlaxeVOX, 2007), Lovely, Raspberry (Persea, 2010) and Glitter Bomb (Persea, 2014)—as well as numerous essays and reviews. Originally from St. Louis, he lives in Hillsborough, North Carolina.